Introduction: A Standout Track
“Be Quiet,” featuring Kodak Black, stands out as a highlight on Yeat's album LYFESTYLE. The track opens with a classic trap beat, setting a vibrant mood with its bouncing keyboard melodies layered over a distorted, chainsaw-like bass. This intricate production creates an immersive soundscape that pulls listeners in, perfectly aligning with the energy expected from both artists. Yeat’s unique style shines through, showcasing his talent for blending experimental sounds with traditional trap elements, making for an engaging listen.
Vocal Experimentation and Energy
Vocally, Yeat employs a range of experimental effects that add an ethereal quality to his performance, reminiscent of Kid Cudi’s innovative sound. His delivery is both playful and assertive, encapsulating the essence of living a lavish lifestyle filled with hedonism. However, the vocal effects on Kodak Black's contributions initially sound somewhat over-processed. The clipping during his verse is noticeable at first, but as he delves deeper into his lines, the flow stabilizes, revealing the depth of his energy and tone. This contrast adds an intriguing layer to the collaboration, emphasizing how different vocal techniques can coexist in the same track.
Lyrical Themes of Wealth and Confidence
The lyrics throughout “Be Quiet” reflect a carefree attitude, embracing themes of wealth, fame, and self-confidence. Lines like "Way too rich, LYFESTYLE" and "I'm a billionaire 'member?" highlight the lavish lifestyles both artists portray. The chorus, with its catchy repetition and bold declarations, invites listeners to revel in the opulence that comes with success. Yeat and Kodak Black’s seamless interplay throughout the verses is infectious, creating a dynamic back-and-forth that keeps the energy high and the listener engaged.
Storytelling and Complex Narratives
One of the standout moments in the song is the playfulness with which Kodak Black navigates his verse. His lines about staying high and the imagery of “eight percs to the face” capture the rawness of street life while simultaneously showcasing his unique storytelling abilities. The juxtaposition of celebratory lines and references to struggle creates a multifaceted narrative that resonates with fans of both artists. This complex interplay between celebration and reality enriches the overall listening experience, giving depth to what could have otherwise been a straightforward party anthem.
Conclusion: A Testament to Modern Hip-Hop
“Be Quiet” is a testament to Yeat's ability to craft catchy, innovative trap music while allowing space for Kodak Black’s distinct voice to shine. The production is polished yet gritty, embodying the essence of modern trap, while the vocal experimentation keeps it fresh and exciting. This track is not only a highlight of LYFESTYLE but also a strong representation of the current landscape in hip-hop, where boundaries are continually pushed and creativity knows no limits. Fans of both artists will find much to appreciate, making “Be Quiet” a must-listen in today’s musical climate.
Listen to Yeat Be Quiet
Yeat Be Quiet Lyrics Meaning Explained
The meaning of "Be Quiet" by Yeat is an exploration of wealth, individuality, and the chaotic lifestyle that often accompanies fame in the rap industry. Through vivid imagery and bold declarations, the song reflects a sense of bravado and self-sufficiency, showcasing both artists' unapologetic attitudes toward their success and the challenges that come with it. The collaboration with Kodak Black adds an extra layer of depth, as both artists navigate themes of substance use, identity, and the unpredictable nature of their careers. Ultimately, "Be Quiet" serves as a powerful anthem that captures the essence of contemporary hip-hop culture, highlighting the complexities and contradictions of living a lavish lifestyle while grappling with personal struggles.
Analysis of "Be Quiet" Featuring Kodak Black by Yeat
Intro
“Poppin' shit, chasin' bitches, it's a lifestyle” introduces the song with a declaration of indulgence and the pursuit of women. This line establishes the theme of excess and hedonism that pervades the track. The adlibs by LAZER DIM 700, “(Woo-woo, give me that back) Fuck, fuck, fuck, fuck, fuck, fuck,” create a hype atmosphere, adding to the song's energy. The repetitive "fuck" emphasizes the rawness and intensity of the emotions involved, setting the tone for what’s to come. Yeat continues, “I'm still high as shit, I'm still high,” reiterating his state of euphoria, likely from substances, reinforcing the carefree and reckless vibe of his lifestyle. He then adds, “I said, 'Fly (Fly)', shit,” where "fly" signifies both a state of being elevated and stylish, reinforcing the idea of living extravagantly.
Chorus
The chorus kicks off with “Way too rich, LYFESTYLE,” where Yeat confidently states that his wealth is beyond the norm, embodying the extravagant lifestyle he portrays in his music. “Off with what? Off with your head (Head, yeah)” reflects a lack of tolerance for dissent or challenges to his authority, echoing themes of power and dominance in the rap game. Yeat then boasts, “Diamonds on me, blind 'em like they seein' black, huh, hah,” suggesting that his jewelry shines so brightly it could obscure vision, emphasizing his wealth and status. The line “Whole car matte black and the windows tinted, huh” conveys a sense of mystery and danger associated with his lifestyle, suggesting that his vehicles are both sleek and intimidating.
Yeat asserts his disinterest in engaging with others with “Okay, so what? I don't talk to them, huh,” which reinforces his independent persona and self-reliance. He continues with, “Backstab you, bitch, I pick apart your art to them, huh,” calling out other artists by suggesting that he critically analyzes and exposes their weaknesses, asserting his superiority in the rap game. The following lines, “Fucked up, oh, you fucked up? huh / Oh, your luck up? Oh, your time's up? yeah,” highlight a sense of judgment and consequence; he’s stating that others’ fortunes can quickly change, reflecting the unpredictable nature of fame.
With “I'm a billionaire 'member? (Woo), I'm a geek star, remember,” Yeat reinforces his status as a wealthy and influential figure in the industry. He expresses frustration at feeling unheard with “I feel like I'm talkin' to deaf people the way I'm tellin' you,” comparing it to talking to those who can’t hear. This highlights his desire for recognition. He further declares, “Fuck all that lil' extra shit (Woo), you know the God Ba'al,” referencing Ba'al, an ancient deity, implying he embodies both creation and destruction, representing duality and chaos in his life and music. Yeat concludes the chorus with “Pull up Bentley, Bentley, Bentley all black,” emphasizing his wealth and taste, and then states, “Fuck what you say, I don't want your words, no, don't tell me,” showcasing his confidence and independence. The line “Smack they ass with reversible belts like it's LV (Ha)” plays on the luxury branding of Louis Vuitton, suggesting he can afford high-end fashion while asserting dominance over others. Finally, he asserts, “Bitch, I'm geeked up, yeah, I'm set to sail, no, don't help me (Woah),” expressing excitement and readiness while emphasizing self-sufficiency.
Verse
Kodak Black kicks off his verse with “Bitch, this a VL, this ain't LV,” contrasting "VL" (Vulture Love) with "LV" (Louis Vuitton), suggesting that while people may mistake his brand for luxury, it represents something more authentic and grounded. He further emphasizes this distinction with “Vulture Love, not Louis Vuitton,” promoting authenticity over materialism. Kodak continues, “Now tell me you can't tell this custom,” asserting the uniqueness of his style and sound, implying that it stands out from the mainstream.
In “Tryna get dope, oh, you bluffin’,” Kodak calls out anyone who isn’t genuine in their pursuits, indicating a desire for success. He adds, “See my dope, yeah, you cuffin’,” suggesting that others are trying to take ownership of his success or style, a common theme in hip-hop. He expresses his desire for elevation with “I'm tryna get high as shit (Fly, shit),” emphasizing a connection to his lifestyle. “I stay high as me” reinforces his personal standards, suggesting he maintains a lifestyle that reflects his own identity. He then boasts, “I get fly as wings (Don't I?),” likening his success and style to that of a bird in flight, reinforcing freedom and elevation.
Kodak reflects on the challenges of his lifestyle with “I can hardly sleep (Hardly),” indicating that the pursuit of success often disrupts peace. The line “Every day Halloween” suggests that his life feels like a constant performance or façade, similar to the disguises worn on Halloween. He adds, “I don't want weed, I'm on a bean,” indicating a preference for pills (likely referencing ecstasy or other substances) over traditional marijuana, highlighting the extremes of his lifestyle. Kodak asserts his identity with “I'm a roller, not a stoner,” distinguishing himself from those who prefer calmer substances.
He emphasizes the pain of addiction with “Even rehab gon' hurt,” suggesting that the process of getting clean is painful, while “You can't even pay me to be sober” expresses a deep connection to substance use, indicating that he finds it hard to function without it. Kodak reflects on a desire for transcendence with “So fly, thought I could fly,” indicating he feels invincible. The line “Got so high, I'm tryna fly, don't know why, must have thought I was a vulture (Yeah)” connects his high state to that of a vulture, emphasizing elevation while acknowledging darker aspects of his life.
Kodak reveals the dangers of his lifestyle in “Eight percs to the face, need a chauffeur,” suggesting heavy substance use, and implying a lack of control. He reflects on the potential consequences with “Thinkin' like, 'How many can I take 'til I croak over?’” This line reveals a dangerous mindset, underscoring the reckless pursuit of pleasure. Kodak adds, “Bad bitch on her knees, say she Lebanese,” describing a romantic encounter, with the reference to her nationality adding a layer of intrigue and exoticism to the narrative.
In “Project baby, when I was born, I had a felony,” he reflects on his upbringing in the projects and how his past is marked by legal troubles, emphasizing a tough start in life. The line “357 sport, lookin' for, 'member me?” highlights a violent background, indicating a need for protection or revenge. Kodak concludes his verse with “Paid me back same way I gave you that, bitch, don't zelle me shit,” asserting that he expects to be repaid in kind, suggesting a transactional nature to relationships in his life.
Chorus (Repetition)
The repetition of the chorus reinforces the key themes of wealth, power, and individualism, driving home the message that both artists are unapologetically themselves in a competitive industry.
Outro
Kodak Black wraps up the song with “Drop the ski mask, I look like Yeat, don't call me Kodak Black,” making a bold statement about identity. This line suggests that he embodies aspects of Yeat while asserting his individuality, signifying a blend of influences and emphasizing personal style over labels.
"Be Quiet" intricately weaves together themes of excess, individuality, and the struggles of street life, illustrating the complexities of success in the hip-hop world. Both artists express their unique perspectives while showcasing their distinct styles, creating a track that resonates with fans of contemporary rap.
Yeat Be Quiet Lyrics Featuring Kodak Black
[Intro: Yeat, Kodak Black & LAZER DIM 700]
Poppin' shit, chasin' bitches, it's a lifestyle
(Woo-woo, give me that back) Fuck, fuck, fuck, fuck, fuck, fuck
I'm still high as shit, I'm still high
I said, "Fly (Fly)", shit
[Chorus: Yeat & Kodak Black]
Way too rich, LYFESTYLE
Off with what? Off with your head (Head, yeah)
Diamonds on me, blind 'em like they seein' black, huh, hah
Whole car matte black and the windows tinted, huh
Okay, so what? I don't talk to them, huh
Backstab you, bitch, I pick apart your art to them, huh
Fucked up, oh, you fucked up? huh
Oh, your luck up? Oh, your time's up? yeah
I'm a billionaire 'member? (Woo), I'm a geek star, remember
I feel like I'm talkin' to deaf people the way I'm tellin' you
Fuck all that lil' extra shit (Woo), you know the God Ba'al
Pull up Bentley, Bentley, Bentley all black
Fuck what you say, I don't want your words, no, don't tеll me
Smack they ass with revеrsible belts like it's LV (Ha)
Bitch, I'm geeked up, yeah, I'm set to sail, no, don't help me (Woah)
Did it by myself, so I don't got nobody to tell me nothing, yeah (Nothin')
[Verse: Kodak Black & Yeat]
Bitch, this a VL, this ain't LV
Vulture Love, not Louis Vuitton
Now tell me you can't tell this custom
Tryna get dope, oh, you bluffin'
See my dope, yeah, you cuffin'
I'm tryna get high as shit (Fly, shit)
I stay high as me
I get fly as wings (Don't I?)
I can hardly sleep (Hardly)
Every day Halloween
I don't want weed, I'm on a bean
I'm a roller, not a stoner
Even rehab gon' hurt
You can't even pay me to be sober
So fly, thought I could fly
Got so high, I'm tryna fly, don't know why, must have thought I was a vulture (Yeah)
Eight percs to the face, need a chauffeur
Thinkin' like, "How many can I take 'til I croak over?"
Bad bitch on her knees, say she Lebanese
Project baby, when I was born, I had a felony
357 sport, lookin' for, 'member me?
Paid me back same way I gave you that, bitch, don't zelle me shit
[Chorus: Yeat & Kodak Black]
Way too rich, LYFESTYLE
Off with what? Tryna cut your head off (Yeah)
Yeah, diamonds on me, blind 'em like they seein' black, huh, hah
Whole car matte black and the windows tinted, huh
Okay, so what? I don't talk to them, huh
Backstab you, bitch, I pick apart your art to them, huh
Fucked up, oh, you fucked up? huh
Oh, your luck up? Oh, your time's up? yeah
I'm a billionaire 'member? (Woo), I'm a geek star, remember
I feel like I'm talkin' to deaf people the way I'm tellin' you (Woah)
Fuck all that lil' extra shit (Woo), you know the God Ba'al
Pull up Bentley, Bentley, Bentley all black
Fuck what you said, I don't want your words, no, don't tell me
Smack they ass with reversible belts like it's LV (Ha)
Bitch, I'm geeked, yeah, I'm set to sail, yeah, don't help me (Woah)
Did it by myself, so I don't got nobody to tell me nothing, yeah
[Outro: Kodak Black]
Drop the ski mask, I look like Yeat, don't call me Kodak Black
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