"São Paulo" by The Weeknd, featuring Anitta and produced by MIKE DEAN, The Weeknd, and Sean Solymar, is a bold and provocative entry from the upcoming album Hurry Up Tomorrow!. The track is an ambitious blend of cultures, merging Anitta’s Brazilian sensuality with The Weeknd’s dark and atmospheric pop-R&B sound. The production is both aggressive and hypnotic, setting the stage for a track that oscillates between raw intensity and smooth seduction.
Anitta's Commanding Introduction
The song opens with Anitta’s commanding presence, her vocals layered with distortion over sharp, jagged synths. This entrance immediately grabs attention, creating a vibrant yet unsettling energy that reflects the song’s thematic boldness. The explicit nature of Anitta’s lyrics, when translated, adds a layer of raw sexuality that aligns with the track’s pulsating production. The repeated refrain creates a hypnotic rhythm, driving the song forward while intensifying the provocative atmosphere.
The Weeknd's Smooth Transition
When The Weeknd's vocals enter, the track shifts smoothly. His signature velvety voice provides a contrast to the roughness of Anitta's delivery, creating an enticing push-pull dynamic. His verses glide effortlessly over the pulsating beat, offering moments of respite from the song’s intensity. As the song progresses, it risks falling into a repetitive groove, but just when it starts to drag, it morphs into something more dynamic and textured, keeping the listener engaged.
Aggressive Production Switch
One of the standout moments in "São Paulo" is when the production becomes more aggressive and glitchy, creating an almost chaotic atmosphere. This section allows The Weeknd to take center stage, showcasing his ability to command a track even when the production is swirling around him. The synth-heavy breakdown and MIKE DEAN’s influence are palpable here, giving the track an edge that veers into experimental territory, elevating the entire composition.
The Weeknd São Paulo Review
"São Paulo" is a striking track that highlights both Anitta’s unapologetic sensuality and The Weeknd’s ability to navigate dark, seductive spaces. It’s a song that thrives on contrast—between cultures, voices, and moods—resulting in a complex and captivating listening experience. With its sharp production and daring lyrics, this song is a standout preview of what Hurry Up Tomorrow! has to offer.
Listen To The Weekend São Paulo Featuring Annita
The Weeknd São Paulo Lyrics Meaning Explained
Introduction
In “São Paulo,” The Weeknd and Anitta deliver a bold, provocative track that weaves sensuality and dark, atmospheric themes. The song is heavily influenced by Brazilian funk, with Anitta interpolating lyrics from one of the genre’s pioneers, Tati Quebra Barraco. With themes of lust, power, and temptation, the song fuses explicit lyrics and layered vocals into a dual narrative of desire, temptation, and loss of control. The song plays a pivotal role in Hurry Up Tomorrow!, highlighting the artists' chemistry and stylistic diversity.
Anitta's Lyrics: Interpolations and Sexual Liberation
Anitta’s opening lines, "Bota na boca, bota na cara, bota onde quiser," translate to "Put it in the mouth, put it on the face, put it wherever you want." These lines are borrowed from Tati Quebra Barraco’s remix of "Bota na Boca Bota na Cara," a classic in Brazilian funk. By incorporating these lyrics, Anitta pays homage to her roots in Brazilian funk, while also embracing themes of sexual freedom and bodily autonomy. The repetition of this refrain emphasizes Anitta's boldness, pushing boundaries as she confidently reclaims her body in a manner synonymous with her provocative public persona.
The line "Hoje eu vou dar pro novinho, fode, fode a larissinha" translates to "Today, I'll give it to the young dude, fuck, fuck the 'larissinha'." Here, Anitta refers to her vagina as “larissinha,” a nickname derived from her real name, Larissa. This slang has evolved beyond her personal brand, becoming a term used colloquially by other women to refer to their vaginas. Through these lyrics, Anitta asserts sexual agency, flipping traditional gender dynamics by openly discussing her desires. The crudeness of the lyrics enhances the song's edgy, unapologetic tone, aligning with the aggressive, raw energy of the track’s production.
The Weeknd's Verses: Descent into Lust and Temptation
In contrast to Anitta’s explicit verses, The Weeknd's lyrics introduce a darker, more vulnerable side. In lines like, "Every time I try to run, you put your curse all over me / I surrender at your feet, baby, put it all on me," The Weeknd expresses his struggle against an overpowering force of temptation. He is caught in a cycle of desire, where he submits to a powerful, intoxicating figure—represented by Anitta—who has a hold over him. The imagery of a curse suggests that he is entrapped, unable to break free from his lust, which is a recurring theme in The Weeknd's discography.
The chorus, "I love it when you turn me on / So come back in and turn it on," captures the duality of pleasure and submission. Here, The Weeknd oscillates between enjoyment and helplessness, fully aware of the control his lover has over him. The sensuality of these lyrics complements Anitta’s verses, creating a dialogue between the two artists where Anitta is the dominant, unapologetic force and The Weeknd is willingly consumed by his desire.
Symbolism and Themes: Lust and Spiritual Conflict
One of the deeper layers of interpretation can be found in how the song relates to The Weeknd’s ongoing exploration of spiritual conflict. In his previous works like Dawn FM, The Weeknd often grapples with themes of sin, lust, and redemption. Anitta’s portrayal of a seductive, powerful woman mirrors the “red women” from the "Sacrifice" music video in Dawn FM, who embody lust and temptation. In "São Paulo," Anitta’s character plays a similar role—she is a symbol of temptation leading The Weeknd’s character away from spiritual salvation. The recurring motif of being unable to escape her allure suggests that she represents an obstacle in his path toward redemption, keeping him trapped in cycles of hedonism.
The Conclusion: Power Dynamics and Desire
By the end of the song, the dynamic between Anitta and The Weeknd becomes clearer. Anitta remains in control, with her repeated line, "Bota na boca, bota na cara, bota onde quiser," signaling her dominance. The Weeknd, on the other hand, fully succumbs to her power, as he sings in the bridge, "Take it easy, easy on me." His vulnerability contrasts with Anitta's unapologetic assertiveness, symbolizing the power dynamics of desire and control that run throughout the song.
The Weeknd São Paulo Meaning
“São Paulo” is a complex interplay between lust, control, and submission. Anitta embodies unapologetic sensuality, while The Weeknd, as a character in his own ongoing narrative, struggles with the consequences of his desires. Together, they craft a song that is both sexually charged and thematically rich, marking a significant moment in Hurry Up Tomorrow! and continuing The Weeknd’s exploration of his inner spiritual and emotional turmoil.
São Paulo Annita’s Lyrics Translated to English:
Original Lyrics
[Intro: Anitta]
Bota na boca, bota na cara, bota onde quiser
Bota na boca, bota na cara, bota onde quiser
English Translation
[Intro: Anitta]
Put it in the mouth, put it on the face, put it wherever you want
Put it in the mouth, put it on the face, put it wherever you want
Original Lyrics
[Refrain: Anitta]
O novinho me olhou e quis comer minha pepequinha
Hoje eu vou dar pro novinho, fode, fode a larissinha
O novinho me olhou e quis comer minha pepequinha
Hoje eu vou dar pro novinho, fode, fode a larissinha
English Translation
[Refrain: Anitta]
The young dude looked at me and wanted to fuck my little pussy
Today, I'll give it to the young dude, fuck, fuck the "larissinha"
The young dude looked at me and wanted to fuck my little pussy
Today, I'll give it to the young dude, fuck, fuck the "larissinha"
The Weeknd São Paulo Lyrics Featuring Anitta
[Intro: Anitta]
Bota na boca, bota na cara, bota onde quiser
Bota na boca, bota na cara, bota onde quiser
[Refrain: Anitta]
O novinho me olhou e quis comer minha pepequinha
Hoje eu vou dar pro novinho, fode, fode a larissinha
O novinho me olhou e quis comer minha pepequinha
Hoje eu vou dar pro novinho, fode, fode a larissinha
[Verse: The Weeknd]
Every time I try to run, you put your curse all over me
I surrender at your feet, baby, put it all on me
Every time I try to pray a way, you got me on my knees
I surrender at your feet, baby, put it all on me
[Chorus: The Weeknd]
I love it when you turn me on
I love it when you turn it on
I love it when you turn me on
So come back in and turn it on
[Refrain: Anitta & The Weeknd]
Bota na boca, bota na cara, bota onde quiser (Turn me on)
(Turn me on) O novinho me olhou e quis comer minha pepequinha
(Turn me on) Hoje eu vou dar pro novinho, fode, fode a larissinha
(Turn me on) O novinho me olhou e quis comer minha pepequinha
Hoje eu vou dar pro novinho, fode, fode a larissinha (Turn me on)
[Bridge: Anitta]
Bota na boca, bota na cara
Bota na boca, bota na cara
Bota na boca, bota na cara
Bota na boca, bota na cara
Bota na boca, bota na cara, bota onde quiser
[Instrumental Outro]
[Part II]
[Intro: The Weeknd]
Baby, ride me to the darkness of the night
Kill me softly like you want me euthanized, oh yeah
[Pre-Chorus: The Weeknd]
Hot like risin' sun, burnin' everything she touch
She don't even want your money, came right here with someone else
She's addicted to the rush, I could never get enough
She desensitized to money, need to pay with something else
[Chorus: The Weeknd]
Baby, you turn me on
Baby, you turn me on
Baby, you turn me on
Girl, you turn me on
[Refrain: The Weeknd]
Hit it from the back, she louder than two sold-out nights
I think she fell in love, she said she trusts me with her life, oh
[Pre-Chorus: The Weeknd]
Hot like risin' sun, burnin' everything she touch
She don't even want your money, came right here with someone else
She's addicted to the rush, I could never get enough
She desensitized to money, need to pay with something else
[Chorus: The Weeknd]
Baby, you turn me on
Baby, you turn me on
Baby, you turn me on
Girl, you turn me on
[Refrain: The Weeknd]
Hit it from the back, she louder than two sold-out nights
I think she fell in love, she said she trusts me with her life, oh
[Pre-Chorus: The Weeknd & Anitta]
Hot like risin' sun, burnin' everything she touch
She don't even want your money, came right here with someone else
She's addicted to the rush, I could never get enough (Bota na boca, bota na cara, bota na boca, bota na cara)
She desensitized to money, need to pay with something else
[Chorus: The Weeknd]
Baby, you turn me on (I love it when you turn me on)
I love it when you turn me on (I love the way you turn me on)
See how you turn me on? (I love it when you turn me on)
I love the way you turn me on, oh (So now I gotta turn it on)
[Bridge: The Weeknd & Anitta]
Oh baby
Oh, oh
Oh, oh
Oh, oh
Oh, oh, oh
Take it easy, easy on me (Bota na boca, bota na cara, bota onde quiser)
Take it easy, easy on me, oh (Bota na boca, bota na cara, bota onde quiser)
Take it easy, easy on me
Oh, oh, oh
[Outro: Anitta]
Bota na boca, bota na cara, bota onde quiser
Bota na boca, bota na cara, bota na boca, bota na cara
Bota na boca, bota na cara
Bota na boca, bota na cara
Bota na boca, bota na cara, bota onde quiser
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