"Bloodonmyhands," featuring Flo Milli, is a standout track from Tate McRae’s album So Close To What. The song blends pop and hip-hop influences with infectious dance rhythms and sharp lyricism, making it a certified banger. Right from the intro, McRae’s voice soars with her signature ethereal delivery, pulling listeners into a vibe that's both dancey and haunting. The production is slick, with clean beats that give the track a polished yet edgy feel. As McRae croons over the angelic synths, it becomes clear that this track is as much about empowerment as it is about heartbreak.
Emotional Depth in Tate McRae's Verse
Tate McRae’s verse is emotionally charged, setting the tone for a story of betrayal and self-reclamation. Her lyrics speak to the pain of holding onto secrets and fighting for someone who ultimately betrays her trust. There’s a sense of disillusionment in her voice as she confronts the sudden shift in her relationship, but instead of dwelling on the hurt, McRae channels it into a powerful message of independence. The chorus, with lines like "Dance like I can't be bothered," embodies a sense of liberation, as McRae reclaims her power and finds her strength after heartbreak.
Flo Milli's Dynamic Contribution
Flo Milli’s verse brings a fresh energy to the track, adding a sharp contrast to McRae's softer tones. Her delivery is fierce, unapologetic, and full of swagger, elevating the song's narrative with her signature confidence. Flo Milli’s rap captures the frustration of dealing with someone who doesn’t know how to appreciate you, but instead of lingering in the negativity, she celebrates moving on and embracing her worth. Her verse complements McRae’s journey of self-empowerment, making it a dynamic collaboration that keeps the energy high.
Collaboration and Thematic Balance
The interplay between McRae and Flo Milli creates a perfect balance, with both artists contributing distinct yet complementary perspectives. The bridge and outro, where McRae repeats "I got some blood on my hands," serve as a reminder of the emotional scars left behind, but also the strength that comes with moving forward. The imagery of "blood on my hands" symbolizes both the pain of cutting ties and the empowerment that comes with it. The production subtly shifts during this section, amplifying the emotional depth while maintaining the song's upbeat, danceable rhythm.
Tate McRae Bloodonmyhands Review Featuring Flo Milli
"Bloodonmyhands" is a well-crafted track that showcases both Tate McRae and Flo Milli’s strengths as artists. It's a song about letting go, finding your worth, and dancing your way through the heartache, all wrapped up in a catchy, polished package. The production, vocals, and lyrics come together seamlessly to create a pop anthem that’s both relatable and empowering, making it a standout moment on So Close To What.
Listen to Tate McRae Bloodonmyhands Featuring Flo Milli
Tate McRae Bloodonmyhands Lyrics Meaning Explained
The meaning of "Bloodonmyhands" by Tate McRae is rooted in the complex emotions that arise from breaking free of a toxic relationship. The song delves into feelings of betrayal, empowerment, and emotional release, using the metaphor of "blood on my hands" to symbolize both the guilt and the strength that come with leaving behind a painful chapter. As McRae navigates the aftermath of a broken relationship, the lyrics reveal her internal struggle, highlighting how she is both haunted by the past and determined to reclaim her independence. The collaboration with Flo Milli adds another layer of defiance and self-assurance, emphasizing that, despite the messiness of the situation, both artists have emerged stronger and more in control.
Introduction: Blood on My Hands
"Bloodonmyhands" by Tate McRae, featuring Flo Milli, is a song about emotional conflict, empowerment, and reclaiming control after a toxic relationship. The repeated line “I got some blood on my hands” in the intro is a metaphor for the emotional and psychological aftermath of a relationship that has gone wrong. "Blood" here represents guilt, regret, or perhaps even the weight of past actions that can’t be undone. It suggests that the narrator is grappling with the consequences of her involvement in the relationship, but it also reflects the idea of having taken control and made choices that have led her to where she is now—whether or not it was messy or difficult.
Verse 1: Vulnerability and Betrayal
In the first verse, McRae paints a picture of vulnerability and emotional investment. She describes being deeply involved with someone, keeping their secrets and defending them, even when it meant compromising her own boundaries ("I was so prepared to let you cross all my lines"). There’s a sense of self-sacrifice here, as she was willing to fight for the relationship ("fight a war on your side"). But as things unravel, she’s left questioning what went wrong ("So where'd it go, boy?"). Her ex was once begging for her attention and affection, only to later betray her trust. The lines “You forgot I got a lotta pride and choices / Didn't think that I'd go” suggest that the ex underestimated her resilience and ability to move on, making it clear she’s stronger than they thought.
Chorus: Reclaiming Control and Moving On
The chorus encapsulates the emotional release McRae feels after moving on. The line "Dance like I can't be bothered" represents her outward nonchalance and her decision to not let the ex have power over her emotions. She knows her actions are bothering the ex, especially since she has "bounced back" and moved on to someone new—likely a reference to the idea that Tate is no longer invested in the past. The lines “Bounced back and found another, and he hates you” hint that this "another" could be a metaphorical parallel to a figure like The Kid LAROI in "GIRLS" where he says, “fuck your ex man, I’m your man now,” reinforcing the idea of revenge or reclamation of power. The ex can’t handle seeing her move on and flourish without them, and this stirs up jealousy and bitterness.
Flo Milli’s Verse: Confidence and Independence
Flo Milli’s verse adds an extra layer of sass and defiance. She acknowledges that falling for the ex was a mistake ("fallin' for you is a damn disease"), recognizing that the ex was not loyal ("I knew you was messin' around"). She’s now holding it down with her new man and enjoying the attention she’s getting ("One walk through and them niggas attack"). Flo Milli's lines convey that she's no longer hurt by the ex’s actions—if anything, she’s thriving. She’s moved on, showing off her success and confidence, and she’s done with the ex’s games. The phrase “Boy, get a grip, I’m sick of you callin’” indicates that the ex is still trying to get back in touch, but she’s resolute in not returning to the past.
Bridge and Outro: Finality and Emotional Growth
The bridge and outro bring back the metaphor of "blood on my hands," emphasizing that, while McRae is moving on, there’s a certain acknowledgment of the weight that this relationship—and the actions taken—carries. The line "I move as fast as I can" suggests urgency in her escape and progression, not wanting to linger in the past or allow it to hold her back. She recognizes that her moving on "fucks you up so hard" because her ex is still caught in the emotional fallout. There’s a sense of finality to this—the relationship is truly over, and she's unapologetic about how things ended.
Bloodonmyhands is a powerful anthem about moving on from a toxic relationship, reclaiming one's independence, and finding strength in the face of betrayal. McRae’s metaphor of "blood on my hands" represents both the guilt and empowerment that comes with ending something that was once meaningful but ultimately harmful. Flo Milli’s contribution adds a layer of confidence and celebration, making the track not just about heartache, but also about empowerment and resilience. The repeated refrain of moving on and finding someone new who "hates you" ties into themes of revenge, self-worth, and emotional growth, showing how both artists have found strength in reclaiming their power and moving forward.
Tate McRae Bloodonmyhands Featuring Flo Milli Lyrics
[Intro: Tate McRae]
I got some blood on my hands
I got some blood on my hands
I got some blood on my hands (Mm)
[Verse 1: Tate McRae]
Held you in the night
I kept all your secrets in a vault inside my mind
I was so prepared to let you cross all my lines
I was so prepared to fight a war on your side
So where'd it go, boy?
One second you were begging for my time, then, boy
You're scheming like you out of your fucking mind, and, boy
You forgot I got a lotta pride and choices
Didn't think that I'd go
[Chorus: Tate McRae]
Dance like I can't be bothered, know it kills you
Bounced back and found another, and he hates you
Oh, baby boy, you're seein' stars
And it fucks you up so hard
Dance like I can't be bothered (I can't) when I'm half-drunk
Moved on and found another (Found), you're my worst one
Oh, baby boy (Boy), you're seein' stars (Stars)
And it fucks you up so hard (Oh yeah)
[Verse 2: Flo Milli & Tate McRae]
I got a new man to please, fallin' for you is a damn disease
Holdin' it down, I knew you was messin' around, you wanna go play in the streets
But you know me, I ain't goin' for that, I hit the club and I'm throwin' it back
One walk through and them niggas attack, so when they call, I answer that
Okay, had a couple drinks and he fallin' (Fallin')
Stars in the whip, it's cream, bitch, I'm ballin' (Ballin')
Boy, get a grip, I'm sick of you callin' (Callin')
He don't believe it's over, he stallin' (He stallin')
I'm pretty and worth it
My feelings ain't hurtin'
Won't stay if it ain't workin'
Didn't think that I'd go
[Chorus: Tate McRae]
Dance like I can't be bothered (Oh no), know it kills you (Kills you)
Bounced back and found another, and he hates you
Oh, baby boy (Boy), you're seein' stars (Stars)
And it fucks you up so hard (So, so, so, so hard)
Dance like I can't be bothered (I can't) when I'm half-drunk
Moved on and found another (Found), you're my worst one
Oh, baby boy (Boy), you're seein' stars (Stars)
And it fucks you up so hard
[Bridge: Tate McRae & Flo Milli]
Blood on my hands (I got blood on my hands)
I got some blood on my hands (I got blood on my hands)
Yeah, I move as fast as I can (Ooh)
And I know it fucks you up so hard
Blood on my hands
I got some blood on my hands
Yeah, I move as fast as I can
And I know it fucks you up so hard (Ah)
[Outro: Tate McRae]
I got some blood on my hands (On my hand)
I got some blood on my hands (Ah)
I got some blood on my hands (Ah, ah)