Track Overview
"PHILLY" by Playboi Carti, featuring Travis Scott, is an adrenaline-packed track that showcases both artists' distinct styles while contributing to the raw energy of Carti's album MUSIC. The song opens with a slick guitar lick and synth before plunging into a heavy bass-filled trap beat, immediately setting the tone for a hard-hitting ride. Travis Scott's signature atmospheric ad-libs and auto-tuned vocals establish a dark, brooding vibe. The collaboration between Carti and Scott is smooth, with both artists playing off each other's energy, seamlessly blending their trap sensibilities into a masterclass performance.
Travis Scott's Contribution
Lyrically, Travis Scott delivers a catchy and braggadocious hook that highlights the materialistic themes common in trap music. Lines like "Brand-new ass and brand-new nose, let's go" and "Fifty big ones on the floor, that's go" focus on wealth, luxury cars, and a lavish lifestyle, creating a party-ready atmosphere. Scott's verse continues the flexing, touching on his red cup (likely a reference to lean), luxury, and dominance in the music world. His delivery, combined with the trippy production, adds layers of depth to the track's vibe, making it a standout in terms of energy and sonic quality.
Playboi Carti's Performance
Playboi Carti's verse is equally magnetic, with his raspy, high-pitched voice adding a layer of chaotic energy to the track. His bars are filled with references to drugs, cars, and status, playing into the surreal, almost dreamlike atmosphere that "PHILLY" creates. His flow is sporadic yet controlled, matching the aggressive bassline and manic pace of the production. The shoutout to F1LTHY, a frequent Carti collaborator and renowned producer, nods to the grungy, underground style that Carti often embraces. Carti’s performance feels raw, embodying the essence of modern trap music.
Production Quality
The production on "PHILLY" is a standout element, with its atmospheric synths and thumping bassline driving the intensity of the track. The guitar intro adds a surprising element of melody that contrasts with the hard-hitting trap beat, giving the song a distinct flavor. The track samples "Carter Son" by YoungBoy Never Broke Again, which brings in an additional layer of texture, connecting Carti's work to broader influences within the trap genre. The overall sonic palette is one of gritty minimalism, where the beats are sparse but impactful, allowing Carti and Scott’s vocals to shine.
Playboi Carti Featuring Travis Scott Philly Review
"PHILLY" encapsulates the dark, psychedelic vibe that both Carti and Scott are known for. It's a relentless trap anthem that brings together the best of both artists, combining braggadocio, inventive flows, and cutting-edge production. Whether it’s Scott’s melodic hooks or Carti’s raw intensity, "PHILLY" is an immersive experience that feels right at home in Carti’s eclectic discography, solidifying its place as a memorable track in MUSIC.
Listen to Playboi Carti Philly Featuring Travis Scott
Playboi Carti Philly Lyrics Meaning Explained
The meaning of "Philly" by Playboi Carti is a celebration of excess, luxury, and hedonistic living. The song explores themes of wealth, status, and the carefree, indulgent lifestyle that comes with fame. Both Carti and Travis Scott boast about their extravagant possessions, including cars, jewelry, and drugs, while also showcasing their unapologetic attitudes towards violence and excess. The lyrics are a reflection of the rap game’s fixation on luxury and the power dynamics at play, where both artists revel in their success and the material world that surrounds them. Through their braggadocious and playful delivery, they paint a picture of living large, with little regard for anything outside their own self-indulgent bubble.
Introduction
In "Philly," the lyrics are rich with references to luxury and indulgence. Travis Scott opens the song by flaunting opulence: “Brand-new ass and brand-new nose, let's go.” This line suggests an admiration for cosmetic enhancement and the wealth that allows such changes. He continues, “Bend it over, touch your toes, that’s go,” emphasizing the hedonistic nature of the lifestyle he portrays. The mention of “Fifty big ones on the floor, that’s go,” refers to money, likely stacks of cash, reinforcing the lavish environment. Scott also mentions cars like the Lambo' truck or SRT, further symbolizing status and power in his world of excess. These lines repeatedly reinforce the theme of living large and fast.
Verse 1: Travis Scott's Lifestyle
In the first verse, Scott references substances, saying, “Seein' red on my cup, I'm seein' red," which could be a reference to drinking lean, a combination of cough syrup and soda that causes a red tint in the cup. The line “She off that white, I’m rollin’ green, let’s go,” is another reference to drugs, where "white" is cocaine and "green" refers to marijuana, which is often consumed in blunts. This hedonistic lifestyle continues with Scott referencing different cities and types of women, saying, “Philly bitch, keep it a bean,” and “Atlanta bitch, a magic sheep, that’s goat.” The line “Cali' type to give you mop, that’s top,” refers to women from California being top-tier in his eyes. He also mentions "Seen her turn a bunch of rocks to snot (Scott La Rock)," a possible nod to turning hard work (represented by "rocks," or drugs) into something valuable.
The imagery continues with “Makin’ hip-hop look like rock, I’m Jacques,” which could be referring to Scott’s ability to blend genres, particularly hip-hop with rock elements, and Jacques is his real first name. “Blowin’ gas by the crop, don’t do pounds or blocks,” suggests he’s in a different league when it comes to the drug trade, preferring large quantities of marijuana over smaller, street-level transactions. Scott’s line about “Ice up my bitches, that’s too funny ‘cause I like ‘em hot” could imply that he buys expensive jewelry for the women in his life, with "hot" potentially referencing both their attractiveness and the temperature of the jewels. The line "Who the fuck is up? Is fuckin' with the camp" questions anyone who dares challenge his group, while “The cact’, the vamp” refers to both Travis’ nickname “Cactus” and Playboi Carti’s “Vamp,” signaling a bond between the two artists. Scott also touches on his unapologetic attitude with “I’m like a broken back (Bat), I’m back, I snap,” suggesting a powerful return after overcoming setbacks.
Verse 2: Playboi Carti's Lavish World
In the second verse, Playboi Carti adopts a similarly lavish and indulgent tone. “Diamonds all over my body, molly all over my body” speaks to his affinity for luxury and drugs. The line “My face is all in exotics” likely refers to the exotic cars he drives or the expensive lifestyle he leads. “I canceled one of my fly lists” suggests Carti’s ability to make powerful decisions, like rejecting a flight list, indicating his high status. His line “I be geeked in the sky like a pilot” implies a drug-induced high that elevates him metaphorically like a pilot in the sky. Carti also flexes with “She got face card, so she got balance,” referring to a woman’s beauty and financial independence, and “I got ten cars outside the palace” shows just how many possessions he owns. The "Skeleton all white, Bentley" reference is likely a nod to the famous white Bentley, further reinforcing his extravagant lifestyle.
Carti continues his lavish portrayal with, “If you scared, go to church, lil’ bitch, we outside tweakin', rollin’ Margielies,” indicating his crew’s wild lifestyle, with Margielies referring to the luxury brand Margiela. He further brags, “Everythin’ upside down, shoutout Philly, I’m talking 'bout F1LTHY,” which seems to be a shoutout to his team or a Philly-based producer, “F1LTHY.” Carti’s aggression escalates with “In the car with two blickies and they both got titties,” where “blickies” refers to guns and “titties” is a slang term for extended magazines. “I place one in your head, I’m tryna hawk 'em” indicates Carti is prepared for violence, while “I got a Ghost on my leg, I’m ready to bop” likely refers to a Rolls-Royce Ghost, further emphasizing his wealth and readiness to act.
Philly Meaning
The lyrics of “Philly” paint a vivid picture of excess, luxury, and indulgence, blending themes of wealth, drugs, and fame with violent imagery and an unapologetic attitude. Both Travis Scott and Playboi Carti lean into their personas as successful, powerful figures in the rap game, with each line reflecting their confidence and the extravagant world they inhabit.
Playboi Carti Philly Lyrics
[Intro: Travis Scott & Playboi Carti]
Brand-new ass and brand-new nose
Woah, woah, woah, woah, woah, woah, woah
Wow
[Chorus: Travis Scott]
Brand-new ass and brand-new nose, let's go (Let's go)
Bend it over, touch your toes, that's go (Touch your toes)
Fifty big ones on the floor, that's go (Fifty-five)
Lambo' truck or SRT, that's go (Skrrt, skrrt)
Brand-new ass, brand-new nose, that's go (Let's go)
Bend it over, touch your toes, that's go (Touch your toes)
Fifty big ones on the floor, that's go (Ha, ha)
Lambo' truck or SRT, let's go (Wow)
[Verse 1: Travis Scott]
Seein' red on my cup, I'm seein' red (It's lit)
She off that white, I'm rollin' green, let's go (Straight up)
Philly bitch, keep it a bean, let's go, uh (Let's go, uh)
Atlanta bitch, a magic sheep, that's goat (Ha)
Cali' type to give you mop, that's top (Top)
Seen her turn a bunch of rocks to snot (Scott La Rock)
Makin' hip-hop look like rock, I'm Jacques, uh (Hippy)
Blowin' gas by the crop, don't do pounds or blocks (Hippy)
Make these sneaks under my socks so I can walk the spot (Hippy)
Ice up my bitches, that's too funny 'cause I like 'em hot
Who the fuck is up? Is fuckin' with the camp (Who the f—?)
The cact', the vamp (The vamp)
I'm like a broken back (Bat), I'm back, I snap (Ha)
Ain't really goin' back and forth, that's that (Yeah)
You make my blunt canoe, can't pass to you
Sip purple with me, we screwed
[Verse 2: Playboi Carti]
Diamonds all over my body, molly all over my body
My face is all in exotics, I canceled one of my fly lists
I be geeked in the sky like a pilot
She got face card, so she got balance
I got ten cars outside the palace
And the Skeleton all white, Bentley
If you scared, go to church, lil' bitch, we outside tweakin', rollin' Margielies
Everythin' upside down, shoutout Philly, I'm talking 'bout F1LTHY
Uh, I'm in that mode, but this shit often get litty
Uh, the Benz got mold, I need a spot in the city
In the car with two blickies and they both got titties, uh
I place one in your head, I'm tryna hawk 'em
I got a Ghost on my leg, I'm ready to bop
He can't post 'cause he dead
[Chorus: Travis Scott]
Brand-new ass and brand-new nose, let's go (Let's go)
Bend it over, touch your toes, that's go (Touch your toes)
Fifty big ones on the floor, that's go (Fifty-five)
Lambo' truck or SRT, that's go (Skrrt, skrrt)
Brand-new ass, brand-new nose, that's go (Let's go)
Bend it over, touch your toes, that's go (Touch your toes)
Fifty big ones on the floor, that's go (Ha, ha)
Lambo' truck or SRT, let's go (Wow)