Mojo Jojo by Playboi Carti, featuring Kendrick Lamar, stands as a standout track on MUSIC, creating an unforgettable moment with its heavy-hitting production and a perfect blend of Carti's signature style with Kendrick's experimental flow. The track immediately captivates with its unique intro by Kendrick, where he sets the tone, calling for a "Back to the Future Carti" and demanding an "extra-terrestrial" vibe. It's an intriguing start, drawing the listener into a track that feels both futuristic and raw, with Kendrick seamlessly guiding Carti into this intense sonic realm.
Chemistry Between Carti and Kendrick
The call-and-response dynamic between Carti and Kendrick is one of the most electrifying aspects of the song. As Carti delivers his verses with his characteristic ad-libs and playful yet assertive lyrics, Kendrick’s lines punctuate Carti's with a sense of balance and depth. The back-and-forth feels like a masterclass in chemistry, as the two play off each other, adding layers of intensity. Kendrick's presence on this track is an essential element, bringing a more grounded, lyrical side that contrasts with Carti’s vibrant energy, but it never feels out of place. It’s a moment where both artists are at the top of their respective games, showcasing their unique abilities while pushing each other to new heights.
Lyrical Braggadocio and Confidence
Lyrically, Mojo Jojo is a chaotic celebration of wealth, power, and indulgence. Carti’s verse is a masterclass in braggadocio, with lines like "I'm smashin' on all the hoes, Mojo Jojo" and "I got a house everywhere, but I ain't got a favorite home." These boastful lyrics serve as a testament to Carti’s unapologetic confidence, seamlessly fitting within the track's lavish, otherworldly aesthetic. Kendrick’s additions are equally punchy, adding a layer of intensity to Carti’s bravado, making the track feel like a high-octane ride that never slows down.
Production: Otherworldly Soundscapes
The production on Mojo Jojo plays a huge role in making the track feel larger than life. The heavy bass and booming 808s create a powerful backbone, while the eerie, experimental instrumentation allows for moments of space where both Carti and Kendrick can shine. The distorted, almost alien-like sounds that dominate the track give it an otherworldly quality, fitting perfectly with the theme Kendrick establishes in the intro. It’s a production choice that allows both artists to explore different sonic territories while maintaining a unified, hard-hitting aesthetic that keeps listeners engaged from start to finish.
Mojo Jojo Review: A Memorable Collaboration
Mojo Jojo is a track that showcases the best of both Playboi Carti and Kendrick Lamar. The interplay between their distinct styles,Carti’s exuberant energy and Kendrick’s introspective sharpness,creates an electric atmosphere that sets this song apart from much of the rest of MUSIC. The track is a testament to both artists’ ability to push boundaries and experiment with new sounds while staying true to their roots. It’s a high-energy, experimental banger that serves as one of the most memorable moments on the album.
Listen to Playboi Carti Mojo Jojo
Playboi Carti Mojo Jojo Lyrics Meaning Explained
The meaning of Mojo Jojo by Playboi Carti is a bold declaration of the rapper’s unshakable confidence, unapologetic lifestyle, and dominance in the music industry. Throughout the song, Carti reflects on his success, wealth, and the relentless pursuit of his goals, while Kendrick Lamar’s ad-libs amplify the track’s intense energy. With references to pop culture, luxury, and his ability to outshine imitators, Carti presents himself as an untouchable figure. The song’s title, inspired by the villainous character from The Powerpuff Girls, reinforces Carti’s relentless and calculated persona, emphasizing his fearlessness and power in both his personal and professional life.
Introduction: Kendrick's Request for Carti's Signature Style
The song Mojo Jojo begins with Kendrick Lamar requesting Playboi Carti to bring back his "Back to the Future" Carti style. The "four Alien" refers to an otherworldly and unique flow, while the "beep, beep, beep, beep" mimics robotic or alien sounds, reinforcing an extraterrestrial vibe. Kendrick's call for "extra-terrestrial Carti" emphasizes this desire for a futuristic and boundary-pushing sound.
Verse 1: Carti Reflects on Past Relationships and Boasts About His Success
In the first verse, Carti reminisces about his high school days, wearing Polo, and references a past relationship with a white girl, whom he likens to a model. The mention of "Julz" connects to Julieanna Marie Goddard (@yesjulz), though Carti clarifies she wasn’t a model. He then boasts about his success with women, saying he's "smashin' on all the hoes, Mojo Jojo," comparing himself to the relentless villain from The Powerpuff Girls who was always scheming. Carti’s line “You play with that motherfuckin' fire, we go loco” hints at his willingness to go to extreme lengths in response to threats. The line “I can’t believe my eyes, so I wear a Go-Pro” suggests a sense of disbelief and constant vigilance in his lifestyle. The reference to Interstate 285 ("I'm on 285, fuck the po-po") ties back to his hometown of Atlanta, as he’s known for driving on this Georgia highway. The “po-po” is a common slang term for police. Carti further emphasizes his readiness with "I'm on go-go," expressing that he is always prepared for action. His line "Try to play with my top, I'll hit your soul" suggests that if someone challenges his reputation or status, he will retaliate forcefully, aiming to hit them at their core. The ad-libs that follow mimic gunshots, intensifying the threat and asserting dominance.
Wealth, Lifestyle, and Struggles with Imitators
In the following lines, Carti boasts about his wealth and lifestyle. "She's a different breed, made her my favorite ho" signifies that he’s found someone who stands out among the others, making her his favorite. His line "I got a house everywhere, but I ain't got a favorite home" highlights his financial success, indicating that he owns multiple properties but is indifferent about them due to the sheer number. Carti also reflects on his fluctuating moods ("Changin' my moods all day") and his struggle to find balance in his life ("still tryna find my zone"). He further mentions how others are trying to mimic his style, both musically and in terms of his relationships and possessions. “Still tryna steal my tone” and “still tryna steal my bitches” suggest that Carti’s influence is so strong that others are attempting to copy his persona.
Chorus: Carti's Identity and Aggressive Alter Ego
The chorus of the song sees Carti reinforcing his identity with the line, "I been like this, woah, since I was in the womb," which implies that his confidence and behavior have been ingrained in him from birth. The repeated phrase “Flash out, oh my God, he a goon” signifies Carti's alter ego, someone who is aggressive, dominant, and unafraid to act in the face of challenges. The term "goon" reinforces his reputation as someone who is tough and relentless.
Verse 2: Carti’s Rockstar Lifestyle and Flexing Wealth
In the second verse, Carti expresses his desire to avoid unnecessary contact, telling someone to stop calling his phone. He mentions his wealth again with "ice on my neck, two hundred thirty," referring to his expensive jewelry. He also declares that he's not in a rush, as seen in "On my own pace, not a hurry." Carti continues to flaunt his rockstar lifestyle, comparing himself to the late Tupac Shakur, also known as Makaveli, with the line "rockstar Makaveli." He then describes a sexual encounter, saying "Bad bitch, I make her jerk me," further emphasizing his wild, carefree approach to life.
Carti's Success and Untouchable Status
Finally, Carti reflects on his success and status in the music industry with "Fuck it, I'm goin' three for three," possibly referring to his past albums Die Lit and Whole Lotta Red, and the upcoming project, I Am Music. He affirms his financial status with “Bitch, I’m rich as fuck, uh, that’s why everybody being nice to me,” showing that his wealth has shifted how others treat him. The lines "You can get next, you can get blessed" further emphasize his position of power, suggesting that others may try to align themselves with him in order to gain success. The final lines of the verse feature Carti flexing his dominance with the repeated phrases “Let me check somethin’, let me shake somethin’,” maintaining his untouchable and confident persona.
Outro: Repeating Themes of Confidence and Power
The chorus repeats throughout the song, constantly reinforcing Carti's self-assured identity and his willingness to act when challenged, making the song a celebration of his power and status in the rap game.
Playboi Carti Mojo Jojo Lyrics
[Intro: Kendrick Lamar]
Ayy, Carti, I need that Back to the Future Carti
I need that four Alien, Carti
I need that beep, beep, beep, beep
Extra-terrestrial Carti, you know
Hmm
Just like that, Carti, you know
Hmm
Just like that, Cart,
[Verse 1: Playboi Carti & Kendrick Lamar]
Ooh, back in high school, I was wearin' Polo (I was wearin' Polo)
Had a white bitch like Julz, but she ain't a model (But she a what?)
I'm smashin' on all the hoes, Mojo Jojo (Mojo Jojo)
You play with that motherfuckin' fire, we go loco (We go dummy)
I can't believe my eyes, so I wear a Go-Pro (So I went Go-Pro)
Uh, I'm on 285, fuck the po-po (Fuck 'em, fuck 'em)
I told you, lil' baby, I'm ready, I'm on go-go (I'm on go)
Try to play with my top, I'll hit your soul (Brrt, brrt, bee, bee, bee, let's get it)
Sticks out the window, woah (Like woah)
My arm out the window, ho (You ho)
Swaggin' like Winslow, woah (You ho)
Baby, your winds gettin' low (Get low)
She's a different breed (Breed), made her my favorite ho (Bitch)
I got a house everywhere (Huh, huh), but I ain't got a favorite home (Five homes)
Changin' my moods all day (All day), and still tryna find my zone (My zone)
Still tryna find my home (My home), they still tryna steal my tone (My tone)
Still tryna steal my bitches (Bitch), they still tryna steal my clothes (Say what?)
[Chorus: Playboi Carti & Kendrick Lamar]
I been like this, woah, since I was in the womb (Huh)
Flash out, oh my God, he a goon (Huh)
Flash out, uh, oh my God, he a goon (Huh)
Flash out, oh my God, he a goon (Oh my God, he a,)
[Verse 2: Playboi Carti & Kendrick Lamar]
Stop callin' my phone like you know me (Bitch, stop calling me)
Uh, ice on my neck, two hundred thirty (Brrt)
On my own pace, not a hurry (No rush, you ho)
She a home team type vibe (Hmm), tell the bitch come and hurry (Hurry)
Ride the dick like a Harley (Harley), rockstar Makaveli (Skrrt)
Bad bitch, I make her jerk me (What?)
Fuck it, I'm goin' three for three
Stella the Coco iced tea
Bitch, I'm rich as fuck, uh, that's why everybody being nice to me (Hi, hi)
You can get next (What?), you can get blessed, huh (Brrt)
Let me check somethin' (Let's get it), let me shake somethin' (Let's get it)
You can get next (What?), you can get blessed, huh (Brrt)
Let me check somethin' (Let's get it), let me shake somethin'
[Chorus: Playboi Carti & Kendrick Lamar]
I been like this, woah, since I was in the womb (Huh, huh, huh, hey)
Flash out, oh my God, he a goon (Uh, hey, uh, hey)
Flash out, oh my God, he a goon (Hey, uh, hey)
Flash out, oh my God, he a goon (Hey)
I been like this, woah, since I was in the womb (Huh, huh, huh, hey)
Flash out, oh my God, he a goon (Uh, hey, uh, hey)
Flash out, oh my God, he a goon (Hey, uh, hey)
Flash out, oh my God, he a goon (Hey)
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