"Good Credit," the 15th track on Playboi Carti's highly anticipated album MUSIC, is a hard-hitting trap anthem that effortlessly combines distortion, heavy bass, and a signature feature from Kendrick Lamar. The track opens with a playful sample, quickly transitioning into a pulsating, chainsaw-like distorted beat that sets the tone for what's to come. The production by Cardo Got Wings complements the aggressive, hypnotic vibe of the track, and Carti's verses are delivered with his usual swagger and brashness. The song’s chaotic yet captivating beat makes it a standout, especially in the context of the entire album.
Playboi Carti's Performance
Playboi Carti’s performance on "Good Credit" is quintessential Carti. He flexes his wealth, style, and street credibility, weaving in themes of women, drugs, and an undeniable connection to the streets. The lyrics are saturated with his signature confidence, as he brags about his influence, his lavish lifestyle, and his insatiable desires. Carti’s unique flow and delivery here are once again on display, shifting seamlessly between chaotic energy and moments of cool detachment, a hallmark of his approach to trap music.
Kendrick Lamar's Verse
However, the real highlight of "Good Credit" is Kendrick Lamar’s guest verse. Kendrick steals the show with a verse that combines introspection and braggadocio, perfectly complementing the track's already intense atmosphere. He uses his time to reflect on his own place in the rap game, dismissing the importance of numbers and money, instead focusing on his brilliance and the weight of his legacy. Lamar’s verse is sharp, weaving references to his career, jewelry, and even making a subtle nod to his own diss track, "Not Like Us." His contribution elevates the song and serves as a reminder of his ability to shine even in the most aggressive of beats.
Lyrical Themes
Lyrically, Carti’s "Good Credit" is about flexing power and status, but Kendrick’s verse brings an added layer of reflection. Carti’s lines focus heavily on material wealth and instant gratification, with mentions of his extravagant lifestyle, his drug use, and the women who surround him. Meanwhile, Kendrick’s perspective offers a counterbalance, reflecting on how little these material things truly matter in the grand scheme of his success and influence. The contrast between the two artists’ viewpoints adds a rich layer to the song, making it more than just another trap anthem.
Playboi Carti Good Credit Featuring Kendrick Lamar Review
"Good Credit" is a perfect blend of the wild energy that Playboi Carti is known for and the deep, thought-provoking lyricism of Kendrick Lamar. The track’s distorted beat and aggressive production set the stage for Carti to showcase his signature style, while Kendrick's verse adds depth and substance to the song. This collaboration is a standout on MUSIC, highlighting both artists' unique strengths and making "Good Credit" one of the most memorable tracks on the album.
Listen to Playboi Carti Good Credit Featuring Kendrick Lamar
Playboi Carti Good Credit Lyrics Meaning Explained
The meaning of Good Credit by Playboi Carti featuring Kendrick Lamar is a reflection on wealth, power, and self-assuredness in the modern rap game. The track delves into themes of luxury, influence, and the struggles that come with success, blending Carti’s playful, surreal energy with Lamar’s introspective and sharp lyricism. Together, they explore their positions at the top of the industry while navigating the complex dynamics of fame, consumerism, and the impact of their personas on both their personal lives and the world around them. The collaboration showcases a blend of Carti’s lavish, carefree style and Lamar’s deeper philosophical takes on society and success.
Playboi Carti and Latto Connection
“I been feelin' myself all day, I told lil' twin, ‘Call Latto’”
Both Playboi Carti and Latto are from Atlanta, and this line suggests Carti is feeling himself and casually mentions Latto, a fellow Atlanta artist. This could be referencing their connection and mutual recognition within the scene. The collaboration between Latto and Blick Sum, featuring Playboi Carti, was released in late 2024, with the track initially leaked earlier in the year. It’s worth noting that Jordan, a figure closely connected to Carti, showed respect for Alyssa (Latto’s real name) on Instagram, further strengthening the association.
Wordplay and Dual Meanings
“I was in Paris tryna catch a vibe, I fucked around and seen a ho”
Playboi Carti uses a homophone here—“seen a ho” can be interpreted in two ways. The first is literal: Carti sees a woman while in Paris. The second interpretation, “fucked around a casino,” plays on the homophonic nature of "seen a ho" and “casino,” referencing Carti’s often playful and cryptic wordplay. This dual meaning adds a layer of complexity to the lyric, as Carti plays with both language and expectation.
Altered States and Consciousness
“I'm an alien off that molly, I see stars, I see space”
This line alludes to Carti’s altered state of consciousness due to drug use. MDMA (commonly known as molly) is known for its ability to create intense feelings of euphoria and distorted perceptions. The reference to “seeing stars” and “space” further ties into the sensation of detachment from reality, and it could be hinting at experiences similar to astral projection, which some people report during certain drug experiences. This lyric adds depth to Carti’s portrayal of himself as someone existing outside normal bounds, both literally and figuratively.
Carti’s "King Vamp" Persona
“You know what this is, the vamps and the boogies, we jugg through the party”
Carti’s self-identification as “King Vamp” after the release of Whole Lotta Red in 2020 is a crucial reference here. His label, Opium, and its affiliates, including the YVL (Young Vamp Life) movement, have cemented Carti’s reputation as the leader of a vamp-inspired subculture. This lyric reflects Carti’s dominance in the scene and his ability to move through spaces with a sense of power and mystique, a nod to his established persona.
Homixide Gang Reference
“Homixide, Homixide”
Homixide Gang, a rap duo from Atlanta composed of Homixide Meechie and Homixide Beno, is referenced here. The duo gained recognition in 2021 and later signed with Playboi Carti’s label, Opium. By mentioning “Homixide,” Carti aligns himself with this group, further solidifying the Atlanta connection and his influence within the region's rap scene.
Diss Culture and Industry Rivalries
“I would've said, ‘Fuck you too,’ but you knew that the list was full, haha, ha, haha, haha”
This line likely references a social media “opp list” targeting individuals who have been deemed adversaries. Specifically, Kendrick Lamar’s involvement in this diss culture, particularly aimed at figures like Drake, is a subtle allusion. Lamar has consistently made public gestures regarding industry beefs, and this line humorously acknowledges the full nature of these lists, suggesting an ongoing and complex web of rivalries within the rap world.
Pop Culture References and Fashion
“Havin' it my way like Usher, dog / Red and blue diamonds like Gusher, dog / Up score on you niggas like Rucker, dog”
Kendrick Lamar’s lyric draws on a series of pop culture references. “Havin’ it my way like Usher” alludes to Usher’s hit 1997 song My Way, a celebration of individuality and self-determination. “Red and blue diamonds like Gusher, dog” references Gushers, a fruit snack that, like red and blue diamonds, is vibrant and colorful. The “Up score on you niggas like Rucker” part draws from the legendary Rucker Park in New York, where streetball is celebrated. Lamar uses these references to emphasize his control, wealth, and status within both the music and streetball worlds.
Humor and Subtle References to the Music Industry
“Drop, drop, die, die, kill, kill, watch, watch (Swamp Izzo)”
This lyric seems to recall a playful homage to Drake’s “Family Matters” chorus and outro in Push Ups. The line, "The streets ready for this shit right here," adds a layer of excitement and anticipation, reinforcing the sense that this track is a major moment in the ongoing musical drama. The mention of “Swamp Izzo,” a producer involved in crafting the track, suggests that Lamar is calling attention to his collaborators as well.
Luxury and Status Symbols
“Eliantte go big, white gold link fall on the belly”
Kendrick Lamar references the renowned jeweler Eliantte, known for creating custom luxury jewelry. The “white gold link” suggests a large, luxurious chain, a symbol of status and wealth. This line reinforces Lamar’s public image as someone who not only excels in music but also in fashion and culture, particularly in terms of high-end accessories.
Wealth and Fashion References
“The emerald cuff for hers and his, that bitch on point like A$AP Relli”
The emerald cuff likely symbolizes wealth and fashion, an accessory of high value. Lamar compares the “on point” nature of the cuff to A$AP Relli, who made headlines in 2021 for accusing A$AP Rocky of assault. The mention of Relli may be a way for Lamar to subtly mock the situation, implying that accusations and the pointing of fingers are often premature or misguided. The “on point” comparison could be an ironic reference to how some situations and people are often quick to call things out without full understanding.
Confidence in Legacy
“The numbers is nothing, the money is nothing, I really been him, I promise”
Lamar emphasizes that material success and public acclaim (such as streaming numbers or financial wealth) do not define his worth. His confidence in his legacy is clear, as he asserts that he has always been “him,” or exceptional, regardless of the external markers of success. This ties into his ongoing philosophical stance that artistry transcends metrics.
Sports and Leadership
“Say Kenny been heavy out West and I carry the weight, nigga, I’m Luka Dončić”
Kendrick Lamar makes a direct sports reference here, comparing himself to Luka Dončić, a young NBA star known for carrying his team with exceptional performances. Just as Dončić is seen as the future of the Dallas Mavericks, Lamar positions himself as the leader of West Coast hip-hop, bearing the responsibility of carrying the culture forward.
Carti and Cardo as Creative Forces
“Cardo my evil twin, Carti my evil twin”
Cardo, a producer, is referred to here as an “evil twin,” alongside Playboi Carti. This could refer to the connection between Lamar, Carti, and Cardo as artists who influence each other’s sounds and style, with the “evil twin” concept suggesting a partnership based on shared creativity, even in a rebellious sense.
Fame and its Challenges
“The hate get realer, the love get fake, but when you this great, that's how you should like it”
Lamar reflects on the nature of fame and success, acknowledging that with greater status comes more hate and fake love. However, he shows no concern for these aspects, asserting that such is the price of greatness. This line reinforces Lamar's confidence and understanding of the dynamics that come with being at the top of his field.
Playboi Carti Good Credit Lyrics
[Intro]
Good credit ('Cause I'm—)
Now I'm 'bout to apply for Home Depot credit
Now I got a thirty-five-thousand-dollar credit
We got a temporary receipt
All I gotta do is show it to the cashier
And she gon' let it slide through
All I gotta do is show it to the cashier
And she gon' let it slide through
[Verse 1: Playboi Carti]
I'm seein' that ho out the water
I'm seein' it came out the lake, look at these diamonds, they water
I'm sayin' I don't wait for no pussy, the pussy on me, I'ma cut her
She tryna be part of my schedule, I told her, "Ho, come back tomorrow"
I been feelin' myself all day, I told lil' twin, "Call Latto"
Oh, piercings all on my lips, you know I can't kiss no ho
Outside, I roll them dice, I'm pourin' two pints on the floor
I was in Paris tryna catch a vibe, I fucked around and seen a ho
Tattoos all on my face, you know you're not safe
I know killers all in the A, they do what I say
Ho just text my phone, she wanna come vibe, but this not the place
I'm an alien off that molly, I see stars, I see space
He want my swag, I got the whole world on sixes, you too late
I got too many flows, everybody on wait
Once I get on that road, nobody gon' wait
[Chorus: Playboi Carti]
Uh, movin' on molly, uh, movin' on molly, uh, movin' on molly
Pass out them boulders, movin' them boulders
Pass out them boulders, movin' them boulders
Cheah, I fucked her crazy, cheah, I fucked her crazy, crazy
Pass out them boulders, movin' them boulders
Pass out them boulders, movin' them boulders
Sins on my body
[Verse 2: Kendrick Lamar & DJ Swamp Izzo]
Kids on my body and that's on my kids, I kid with nobody, huh
You know what this is, the vamps and the boogies, we jugg through the party
What you listenin' to is that
Homixide, Homixide
Patek is flooded, but way over budget, I lose it on tour, huh
I would've said, "Fuck you too," but you knew that the list was full, haha, ha, haha, haha
Havin' it my way like Usher, dog
Red and blue diamonds like Gusher, dog
Up score on you niggas like Rucker, dog
I'm sore 'cause I got it off the muscle, dog
Frrah, frrah, slid, slide (The streets ready for this shit right here)
Drop, drop, die, die, kill, kill, watch, watch (Swamp Izzo)
Eliantte go big, white gold link fall on the belly
The emerald cuff for hers and his, that bitch on point like A$AP Relli
I'm talking 'bout— ah
The numbers is nothing, the money is nothing, I really been him, I promise
Say Kenny been heavy out West and I carry the weight, nigga, I'm Luka Dončić
Conspiracy theories is given, but I must admit it, you got the wrong person
They bundlin', man, Chicago slang, which one of you niggas'll merch it?
Merch it, merch it, yeah, merch it
Cardo my evil twin, Carti my evil twin
My skin is smoother, my teeth is whiter, my stride is longer, my thoughts is brighter
The hate get realer, the love get fake, but when you this great, that's how you should like it
[Chorus: Playboi Carti]
Uh, movin' them boulders, uh, movin' them boulders, uh, movin' them boulders
Uh, movin' them boulders, uh, movin' them boulders, uh, movin' them boulders
[Outro]
Too legit to— good credit
Now it's time to order a loan card
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