"Crush," the second track from Playboi Carti's album MUSIC, showcases an explosive collaboration with Travis Scott, delivering a mesmerizing blend of experimental trap production and atmospheric energy. The track opens with a hypnotic synth line, creating a futuristic soundscape that immediately draws the listener in. As ad-libs from both Carti and Scott bounce around the sonic space, the tension builds until the full trap beat kicks in, accompanied by an ethereal choir that ebbs and flows throughout the song. This use of unconventional elements, such as the choir, makes the track feel dynamic and otherworldly, blending the boundaries of traditional trap music with more experimental sound design.
Chemistry Between Carti and Scott
Carti and Scott's chemistry is on full display, with their vocal performances blending seamlessly into the instrumental. The chorus, led primarily by Scott, is repetitive yet infectious, with the phrase "Shawty gon' let me crush" delivered in a hypnotic, almost trance-like manner. This hook acts as the backbone of the song, creating a relentless momentum that never lets up. The interplay between the two rappers keeps the energy high, as they trade verses and ad-libs with an effortless sense of confidence. The choir's sporadic inclusion adds a layer of surrealism, giving the track an almost spiritual vibe, despite the hedonistic lyrics.
Innovative Production
The instrumental itself is one of the most compelling aspects of "Crush." Produced by longtime collaborator F1LTHY, the beat features a pulsating synth line and a hard-hitting 808 pattern that forms the foundation of the track. The production feels expansive, with layers of sound weaving in and out of the mix, creating a sense of depth and atmosphere. The beat switch halfway through the song brings an even more aggressive tone, allowing both Carti and Scott to flex their lyrical prowess over a darker, more menacing backdrop. The synergy between the two rappers and the instrumental is a testament to their ability to push boundaries while still staying true to their trap roots.
Lyrical Content and Delivery
Lyrically, "Crush" doesn't stray far from the typical themes found in Carti's music, hedonism, power, and a carefree attitude towards life. While the lyrics may not be the most profound, their delivery and cadence are what truly make the song stand out. Travis Scott's verse is filled with his signature ad-libs and punchy one-liners, while Carti delivers his lines with an almost stream-of-consciousness flow. The lack of depth in the lyrics is counterbalanced by the sheer energy and charisma of both artists, making it easy for listeners to get lost in the vibe rather than focus on the specifics of the content.
Playboi Carti Featuring Travis Scot Crush Review
"Crush" is a standout track on MUSIC and highlights Playboi Carti's ability to innovate within the trap genre. The experimental production, combined with the undeniable chemistry between Carti and Travis Scott, results in a track that feels fresh and forward-thinking. While the lyrics may not offer much in terms of substance, the song's atmosphere, energy, and infectious hook more than make up for it. "Crush" is a testament to Carti's ability to craft music that transcends traditional boundaries, delivering a sound that's both bold and captivating.
Listen to Playboi Carti Crush Featuring Travis Scott
Playboi Carti Crush Lyrics Meaning Explained
The meaning of Crush by Playboi Carti is a celebration of his carefree, larger-than-life persona, where themes of luxury, street culture, and unfiltered confidence take center stage. The track, featuring Travis Scott, is an anthem of indulgence and rebellion, capturing Carti’s ability to flaunt his success while embracing a carefree, no-regrets approach to life. Through clever wordplay, references to gang culture, and subtle nods to his influential status in the music industry, Crush paints a vivid picture of Carti's world—one where money, status, and personal freedom reign supreme.
"Fuckin' Felicia, I hit that bitch like a deer"
This line is likely a reference to someone named "Felicia," though the identity remains unclear. One theory is that it could be Felicia Lester, a model and Carti affiliate who appeared in the music video for "R.I.P." The phrase "hit that bitch like a deer" could be a metaphorical expression of Carti taking advantage of an opportunity, as "hitting" a deer could be interpreted as taking a quick, impactful action, often used in hunting metaphors to describe an easy or swift conquest.
"Uh, two mil' for a feature"
This lyric is likely a reference to the rumor that Adin Ross, a popular Twitch streamer, paid Playboi Carti $2 million to feature on his stream. Carti, known for his elusive nature, rarely does features, so the amount mentioned here further highlights his high demand and value in the industry. The "two mil'" line may also imply that Carti's features come at a premium price, reflecting his elite status in the rap game.
"Me and Trav' over Adidas / Been havin' stripes, nigga"
This is a double entendre combining Carti’s and Travis Scott's experiences with sportswear brands. Travis Scott is a prominent collaborator with Nike, and this line reflects his allegiance to the brand, while "over Adidas" suggests a dismissive attitude toward the competitor. The reference to "stripes" serves as a clever wordplay, Adidas' logo features three stripes, and "stripes" also represents earning respect in the rap game. Both Carti and Scott have "earned their stripes" in the industry, making this line a nuanced reference to both their personal and professional status.
"I'm in Atlanta with my feet up / In Westside, twist my fingers, schyeah"
This line alludes to Carti's geographical roots and his affiliation with gang culture. "Feet up" suggests a laid-back, relaxed lifestyle, as Carti is in Atlanta, where he is known to have a significant presence. The phrase "twist my fingers" references hand gestures tied to gang culture, specifically signifying affiliations with certain gangs, such as the Crips or Bloods, though Carti is known to rep the Piru Blood set. The "Westside" reference reinforces Carti’s connection to both gang culture and his reputation in Atlanta, aligning with the broader imagery of power and street credibility in rap.
"Me and my twin off the meter"
Here, Carti refers to his close relationship with his friend, likely referencing his Yung Lean-inspired "twin" dynamic. The phrase "off the meter" implies that the energy between Carti and his crew is out of control, whether it refers to their performance, their energy, or their lifestyle being "off the charts." It speaks to their high level of intensity and influence in the scene.
"Two 'Cats and they bleeders / Mix match designer, nigga"
In this lyric, "Two 'Cats" likely refers to two high-end vehicles, possibly luxury cars, such as the Jaguar F-Type, often nicknamed "Cat" due to its brand association with "Jaguar," a luxury sports car brand. "Bleeders" could refer to the cars being flashy or standing out in the streets, turning heads like a bleeding wound would grab attention. The phrase "mix match designer" references Carti's eclectic style and ability to combine high-end designer brands in a fashion-forward, non-conformist way. Carti's style is known for its fluidity and fusion of different designer labels, underlining his fashion-forward persona.
"Backdoor type of nigga / Set you up with a deal"
"Backdoor type of nigga" suggests that Carti operates in a way that might be covert or sneaky, perhaps making deals or alliances in a non-transparent manner. The phrase “set you up with a deal” hints at Carti’s ability to orchestrate connections and potentially broker opportunities for others in the industry, though this could also imply manipulation or a lack of directness. It reflects Carti's position in the music industry where power dynamics often play out behind the scenes.
"I'm in Atlanta with my feet up / In Westside, twist my fingers, schyeah"
This line returns to Carti's relaxed yet influential lifestyle in Atlanta, where he asserts his position while still making references to his roots. The repetition of "twist my fingers" underscores the idea that his connection to gang culture is an integral part of his identity, and the "schyeah" ad-libs emphasize Carti's unique vocal style, adding an extra layer of personality and flair.
Chorus and Post-Chorus Analysis
The repetitive nature of the chorus and post-chorus, "Shawty gon' let me crush", is a key feature of Carti's style, with "crush" serving as both a literal and metaphorical term. While it may initially sound like Carti is referring to a physical conquest, the term "crush" could also symbolize a metaphorical domination over women or situations, particularly in the context of Carti's characteristically carefree, hedonistic lifestyle. The repeated use of "give no fucks" reinforces Carti's rebellious, nonchalant attitude, which is a central theme in his music and persona.
Crush Meaning
The lyrics of "Crush" reflect Carti’s unfiltered approach to life, relationships, and his rap career, mixing themes of luxury, dominance, gang culture, and non-conformity. Through clever wordplay, references to his gang affiliation, and ad-libs, Carti and Travis Scott create a track that not only showcases their chemistry but also builds upon their status in the rap game.
Playboi Carti Crush Lyrics Featuring Travis Scott
[Intro: Playboi Carti, Travis Scott & DJ Swamp Izzo]
Yeah
Yeah (Yeah, uh-uh)
Woah, yeah, yeah
Woah, yeah (Carti)
Woah
[Chorus: Travis Scott, Playboi Carti & Choir]
Shawty gon' let me crush, let me crush her shit
Shawty gon' let me crush, let me, let me crush
Shawty gon' let me crush, let me crush her shit
Shawty gon' let me crush, let me crush
Shawty gon' let me crush (Ah, ah)
Shawty gon' let me fuck somethin', let me fuck somethin'
Give no fucks, give no fucks (Schyeah)
Give no fucks, yeah (Yeah)
Shawty gon' let me crush (Crush her shit, gon' crush it, hey)
Shawty gon' let me crush (Crush her shit, shawty gon' let me crush)
Shawty gon' let me crush (Crush her shit)
Shawty gon' let me crush (Crush her)
Shawty gon' let me, uh, uh
[Post-Chorus: Travis Scott & Choir]
Shawty gon' let me crush, let me crush, yeah
Crush her, crush her, yeah
Crush her, crush her
Shawty gon' let me crush
Crush her
Shawty gon' let me, (Crush her)
Shawty gon' let me crush (Crush her)
Shawty gon' let me crush
Shawty gon' let me bust (Woah)
[Verse 1: Travis Scott & Playboi Carti]
No mercy, crush, no fucks for us (Woah)
It's only us, in God we trust (It's lit)
Who's the best? Pussy buss
[Interlude: Travis Scott & DJ Swamp Izzo]
Straight up
Straight up
Straight up
Swamp Izzo
[Bridge: Playboi Carti & DJ Swamp Izzo]
Yeah
Hit on it, yeah, hit on it, yeah (Carti)
Hit on it, yeah (Swamp Izzo), hit on it, yeah (Yeah)
Hit on it, yeah (Carti), hit on it, yeah (Swamp Izzo)
Hit on it, yeah, hit on it, yeah
[Verse 2: Playboi Carti & DJ Swamp Izzo]
Schyeah (Carti), YVL, schyeah
Fuckin' Felicia, I hit that bitch like a deer
Hittin' that ho, I'ma D her
Eat it up, bitch, you an eater
Run in that bitch with an eater (Schyeah)
Run in that bitch with a heater (Schyeah, schyeah)
Me and my bitch off the meter (Schyeah)
Me and my twin off the meter (Say what?)
Uh, two mil' for a feature
Me and Trav' over Adidas
Been havin' stripes, nigga
Two 'Cats and they bleeders (Schyeah)
Mix match designer, nigga (Schyeah)
Backdoor type of nigga (Say what?)
Set you up with a deal (Wake up, F1LTHY)
I'm in Atlanta with a bitch (Poppin')
I'm in Atlanta with my feet up
In Westside, twist my fingers, schyeah
[Chorus: Travis Scott, Playboi Carti & Choir]
Shawty gon' let me crush, let me crush her shit (Let me crush)
Shawty gon' let me crush (Let me crush), let me crush her shit (Crush her shit)
Shawty gon' let me crush (Crush her shit, schyeah, ah-ah-ah)
Let me fuck somethin', let me fuck somethin'
Give no fucks, give no fucks
Give no fucks
Yeah
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