A Standout Track Full of Raw Energy
"BACKR00MS" by Playboi Carti, from MUSIC - SORRY 4 DA WAIT, is an undeniable standout on the project, encapsulating the raw energy and vibrant trap beats that Carti is known for. The track's aggressive production is both thrilling and addictive, with the perfect balance of chaotic intensity and polished flow. The beat hits hard, blending elements of trap with eerie undertones, making it impossible to ignore. It’s surprising that a song of this quality was initially left off the album, as it feels like a track that would elevate any project it's part of. Carti's decision to release it afterward shows the depth of material he had on hand, hinting at how prolific the SORRY 4 DA WAIT era was,enough to fill multiple albums.
Bold Lyrics and Minimalist Bravado
Lyrically, Carti sticks to his signature, boasting bravado while embracing the eccentric, repetitive delivery that his fans adore. The chorus is simple but impactful, with Carti likening himself to a quarterback, throwing bombs in the middle of the field. The metaphor fits the track's high-energy, blitzing production and gives the song an aggressive, in-your-face attitude. The chorus sticks with you, making it a perfect example of how Carti uses minimalism to maximum effect. His verse, filled with nonchalant flexes, adds an extra layer of attitude, making it clear that Carti is both confident in his lane and willing to push boundaries.
Symbolism and Thematic Continuity
One interesting aspect of "BACKR00MS" is its continuation of the "0" motif in the track titles, following "H00DBYAIR." This subtle stylistic choice ties the track to Playboi Carti's broader creative vision under the Opium collective, reinforcing the thematic elements of rebellion and avant-garde approach that his label is known for. It's a small, yet effective detail that shows how much thought Carti and his team put into branding and aesthetic choices. The name alone adds an air of mystery, suggesting something hidden or off-limits, aligning perfectly with the underground, rebellious sound.
Impressive Production Elevating the Track
The production on "BACKR00MS" shines thanks to the work of Cardo Got Wings, Duce, and Ojivolta. They created a soundscape that complements Carti's vocal style while enhancing the dark, almost dystopian energy of the track. The beat feels alive, constantly shifting and adding new layers, yet it never overpowers Carti's presence. It's aggressive but controlled, offering a dynamic backdrop for Carti's verses. This synergy between the artist and producers is what makes the song feel like a complete experience, rather than just a catchy beat with lyrics.
Playboi Carti Backrooms Review: A Must-Listen for Playboi Carti Fans
"BACKR00MS" is a top-tier Playboi Carti track that encapsulates everything fans love about his music. From the hypnotic, hard-hitting beat to his braggadocious, carefree lyrics, the song is a prime example of Carti's ability to create an immersive sonic world. The track’s energy is infectious, and the synergy between Carti and the production team elevates it to one of the highlights of SORRY 4 DA WAIT. It’s a track that, despite being a late release, feels like an essential part of Carti's growing discography.
Listen to Playboi Carti BACKR00MS
Playboi Carti BACKOOMS Lyrics Meaning Explained
The meaning of BACKR00MS by Playboi Carti is a reflection of his dominance, power, and the chaotic world he navigates. Through metaphors of control and confidence, Carti conveys his rise to fame, wealth, and the lifestyle that comes with it. The song uses sports imagery, particularly football, to illustrate his ability to make bold moves and take charge of his destiny, much like a quarterback commanding the field. Alongside themes of indulgence, objectification, and detachment, Carti, with the help of Travis Scott in the second verse, paints a picture of a life filled with luxury, fleeting relationships, and an unshakable sense of self-assurance. The track explores both the highs and lows of this lifestyle, revealing the complexities of fame, personal identity, and the struggle to maintain power in a fast-paced, unpredictable world.
Chorus: Dominating the Field
In the song BACKR00MS by Playboi Carti, the repeated chorus establishes a central metaphor where Carti compares his actions to throwing a football. The lyrics "In the middle of the field, throw me a bomb / I'm throwin' that bih' like a quarterback" and variations on that throughout the chorus reflect the idea of him taking control, making big moves, and handling pressure, much like a quarterback would during a game. It’s symbolic of his dominance in the music game and his ability to handle whatever is thrown his way. The metaphor is further solidified by the repetition of throwing a "bomb," a powerful statement that emphasizes his strength and presence.
Verse 1: Wealth, Flash, and Power
In the first verse, Carti’s “Ice on my face” immediately sets the tone of wealth and flashiness, a recurring theme in his music. He continues with "bitches tryna chase," which suggests that women are attracted to him because of his fame and fortune. The line "I ain't ever flake" communicates his consistency and commitment to his persona. The phrase "grab the duct tape" adds an element of danger or urgency, possibly referring to the need for secrecy or control in his dealings, maintaining the theme of him being in a high-stakes environment. "We not the same gang" highlights his distinctiveness in the rap scene, marking him as different from others in his circle. Carti’s affiliation with La Flame (Travis Scott) is mentioned when he says, "I'm with La Flame, gang," further establishing his position within the rap industry's elite.
Carti also touches on his internal dynamics with his newfound fame, stating, "I took off my mask, you know, they mad, I don’t see below," possibly alluding to his shifting identity and how people may not understand the full scope of his evolution. The line "And the hoes, they fuckin' the hoes, big rocks on me, so cold" speaks to his status and the superficial relationships he maintains. Carti warns, "If you know what I know, hide your ho," suggesting that with his fame comes an ability to attract attention from women, and his intentions are to take advantage of that. The phrase "pink cups, I'm sippin' flamingo" suggests he’s indulging in lean, a substance frequently referenced in the rap world.
Personal Life and Reflection
Carti also touches on his personal life with the mention of his family: "I was in the spot yesterday with my pops, my grandma still play bingo," showcasing a more grounded side of his life, contrasting the extravagance and chaos of his rap lifestyle. He continues to explore his indulgences, such as drug use, when he says, "I'm off the za and the Wock', can't feel myself." The Wock' likely refers to Wockhardt, a pharmaceutical company associated with lean, which Carti references in several songs as part of his intoxication. He further elaborates on his detached behavior when he says, "she’s a trendin' topic so I'm tryna pipe," using her popularity to fuel his desires.
Objectification and Detachment
The theme of objectification is clear when Carti says, "Ooh, hit it one time, then I'm out," suggesting a transactional, short-lived interaction with women. He goes on to express that he’s only interested in the physical side of relationships, as seen in "Fuck all these bitches and bops, all of these hoes are hot." Carti's lifestyle is further exemplified in "I'm walkin' around with a lot, pockets is filled with them knots," where he references his wealth and success. The line "Bitches just be bitches, I don't give a fuck 'bout much" shows his detachment from emotional attachment, focusing on material wealth and fleeting pleasures instead.
Verse 2: Travis Scott's Contributions
In the second verse, Travis Scott takes over with his verse, starting with "Throw it like 12, just so you know we don’t fuck with 12," using the term "12" as slang for police, emphasizing his anti-authority stance. Travis also claims to never be alone, saying, "Not in this bitch by myself, but I'm by myself," which could be interpreted as him navigating the world with a team but still feeling isolated in his personal experience. The line "They got money on your top, who say you can't buy help?" touches on the idea that wealth can solve problems, hinting at the corrupting influence of money in both the street and the celebrity world. Travis also references taking "30s," a slang for pills, noting that they don’t actually solve any problems, but "ain't doin' nothin’."
Personal Desires and Modern Society
Travis continues with the line "She doin' Ozempic, tryna be different, tryna be a newer woman," referring to Ozempic, a drug that has gained popularity for weight loss, and commenting on how people often alter their bodies in pursuit of a different identity. He describes a woman he desires by saying, "I need a thicky, need her to move somethin'," signaling his preference for women with fuller figures. The lines "Crib like a zoo, jumpin’, we got reggaeton bumpin’" describe the chaotic, party-like atmosphere that surrounds the rapper’s life, filled with both music and unpredictable moments.
Repetition and Power Dynamics
Finally, the repeated chorus again underscores the central theme of Carti's and Travis Scott's larger-than-life personas and their ability to control and dominate their respective environments. They both hold "bombs", metaphorically representing power, wealth, and influence , ready to throw and change the game at any moment.
Playboi Carti BACKR00MS Lyrics
[Chorus: Playboi Carti]
In the middle of the field, throw me a bomb
I'm throwin' that bih' like a quarterback
Standin' in the field, holdin' a bomb
Throwin' that ho like a quarterback
Stood in the field, holdin' me a bomb
Throwin' that ho like a quarterback
[Verse 1: Playboi Carti]
Ice on my face, woah, bitches tryna chase, woah
I ain't ever flake, woah, tell me, what it take? Woah
Tell me what it takes, woah, ooh, grab the duct tape, huh
We not the same gang, woah, ho, I bang, bang, woah
I'm with La Flame, gang, woah, we too insane on these hoes
I took off my mask, you know, they mad, I don't see below
And the hoes, they fuckin' the hoes, big rocks on me, so cold
If you know what I know, hide your ho, pink cups, I'm sippin' flamingo
I was in the spot yesterday with my pops, my grandma still play bingo
Niggas want a problem with the gang, man, I don't know why but we goin' dumb, ho
Shakin' my dreads in her face, this bitch a lil' vibe, put her in my Demmo
Fuck how they talkin', we poppin' this shit right now, yeah, huh, huh
Uh, I'm off the za and the Wock', can't feel myself, oh, yeah, yeah
Uh, she's a trendin' topic so I'm tryna pipe, oh, yeah, yeah
Ooh, hit it one time, then I'm out, hit it one time, then you out
Uh, fuck all these bitches and bops, all of these hoes are hot
Ooh, I'm walkin' around with a lot, pockets is filled with them knots
Bitches just be bitches, I don't give a fuck 'bout much
I think I need me a Ice Spice, yeah, I want me a munch
[Chorus: Playboi Carti]
In the middle of the field, throw me a bomb
I'm throwin' that bih' like a quarterback
Standin' in the field, holdin' a bomb
Throwin' that ho like a quarterback
Stood in the field, holdin' me a bomb
Throwin' that ho like a quarterback
[Verse 2: Travis Scott]
Yeah, yeah
Throw it like 12 (Yeah), just so you know we don't fuck with 12 (Fuck with 12)
Not in this bitch by myself, but I'm by myself (By myself)
They got money on your top, who say you can't buy help? (Tell the tale)
I'm feelin' like Joe or somethin', like Terror Squad, we blowin' somethin' (Hah)
She poppin' them 30s, thinkin' they workin', but they ain't doin' nothin' (Woo)
She doin' Ozempic, tryna be different, tryna be a newer woman (Nah)
That shit a look iffy, need a thicky, need her to move somethin' (Iffy)
Like improve somethin', just don't you remove nothin' (Don't you do it)
Crib like a zoo, jumpin', we got reggaeton bumpin' (Ha)
I need me two cummin', double-double, quick Drummond (It's,)
I keep a full drum in, never know what fool's comin' (Yeah)
[Chorus: Playboi Carti]
In the middle of the field, throw me a bomb
I'm throwin' that bih' like a quarterback
Standin' in the field, holdin' a bomb
Throwin' that ho like a quarterback
Stood in the field, holdin' me a bomb
Throwin' that ho like a quarterback