Introduction: A Deep Trap Vibe
"Meteor Man" is a standout track from Lil Uzi Vert’s Eternal Atake 2, delivering an intense and atmospheric vibe from the very start. The deep trap production, marked by aggressive vocal delivery and layered with Uzi's signature ad-libs, creates an electrifying energy. The song kicks off with a gruff, almost menacing tone that immediately grabs attention, pulling listeners into a world where the beats are hard-hitting, and the atmosphere is immersive. This track demonstrates Uzi’s keen sense of balancing aggression with playfulness, all while maintaining a cohesive sound.
Production: A Masterclass in Sound Manipulation
One of the most fascinating aspects of "Meteor Man" is its production. The use of vocal effects that shift and pan between different vibes gives the track an otherworldly feel. Uzi plays with vocal manipulation in a way that keeps the listener on their toes, never quite sure where the track is going next. It’s a masterclass in blending vocals with instrumentation, pushing the boundaries of what a trap song can sound like. The shifting vocal tones and the way they interact with the beat is what sets this song apart, making it one of the most memorable on the album.
Lyrical Bravado: Uzi’s Signature Style
The lyrical content in "Meteor Man" is pure Uzi, with his signature mix of braggadocio and clever wordplay. In the first verse, Uzi takes the listener through a wild ride of luxury, sexual exploits, and streetwise commentary. Lines like “She give me dome, huh, she give me head like a comb” are delivered with Uzi's irreverent swagger, while the playful repetition and slick metaphors keep things engaging. His ability to blend humor with confident lyricism showcases his unique appeal, further amplified by the track’s dynamic production.
The Aura: A Hypnotic Chorus
The chorus, with its repeated mantra “This is an aura,” adds to the mystique of the track. It’s almost hypnotic, giving the song a larger-than-life feel. Uzi leans into his persona as someone who exists on a different plane, highlighting his ability to command attention with his mere presence. This aura theme blends well with the rest of the song's cosmic, almost surreal production, creating a track that feels both grounded in trap roots and otherworldly in its execution.
Meteor Man Review: A Powerful Addition to Eternal Atake 2
"Meteor Man" is a powerful addition to Eternal Atake 2. It exemplifies Lil Uzi Vert's evolution as an artist, especially in his experimental approach to vocal effects and production. The blend of gritty lyricism, playful ad-libs, and a futuristic beat makes this track not only memorable but also a testament to Uzi's ability to continually innovate within the trap genre. It's a song that’s sure to leave a lasting impression on fans and newcomers alike.
Listen to Meteor Man by Lil Uzi Vert
Lil Uzi Vert Meteor Man Lyrics Meaning Explained
The meaning of Meteor Man by Lil Uzi Vert revolves around themes of wealth, detachment, and an untouchable aura of superiority. Throughout the track, Uzi flexes his lavish lifestyle, expensive fashion choices, and disinterest in superficial relationships, all while maintaining a cosmic and otherworldly persona. The song blends his signature braggadocio with vivid metaphors and references to luxury brands, sports figures, and street culture. At its core, Meteor Man showcases Uzi’s confidence and dominance, asserting that his success and influence are as powerful and unstoppable as a meteor hurtling through space.
Introduction: Uzi's Detached Persona
In the opening lines of the first verse, "Tell 'em don't call my phone (Phone), call my phone, yeah (Hello?) / I don't even need these hoes (Woah), leave me 'lone (Woah)", Lil Uzi Vert expresses a sense of detachment and disinterest, particularly toward people who may be bothering him. His phone becomes symbolic of people trying to reach out, but he reinforces that he's not interested in superficial attention, especially from women. This reflects his desire to distance himself from unnecessary distractions.
Fashion References and Braggadocio
The line "Since I was in Comme, yeah, yeah, I wear Comme, yeah, huh / Comme des Garçons, hmm, yeah, your bitch in my home, yeah, huh" highlights Uzi’s penchant for luxury fashion, particularly Comme des Garçons, a high-end brand. It continues his tradition of flaunting expensive tastes, similar to his line in Sauce It Up. Juxtaposed with his braggadocious tone about another man's woman being in his home, it emphasizes his success, wealth, and appeal. Uzi further plays with metaphors in "She give me dome, huh, she give me head like a comb (Huh, yeah)", where he compares receiving oral sex to combing hair, blending humor and nonchalance in his description of casual encounters.
Materialism and Baltimore References
Uzi continues his materialistic flex in "Coupe and this bitch out of roof (Roof) / Bitch tryna fuck off the boot (Boot)", where he describes his coupe—a luxury car with a retractable roof—showing off his high-end lifestyle. The line suggests that the woman is influenced by drugs ("boot" being slang for certain types of drugs or fashionable boots). Uzi brings in regional pride with "She got that Baltimore tooth (Yeah) / Diamonds, they hit like Ray Lewis (Yeah)", referring to a woman from Baltimore and comparing the brilliance of his diamonds to the power of Ray Lewis, a legendary linebacker from Baltimore. This comparison likens his diamonds' shine to the strength and impact of the athlete, adding weight to Uzi’s display of wealth. He continues with more flexing in "Water on me and my shoes (Yeah) / Just like a portable hoop (Yeah)", where "water" refers to the sparkle of his diamonds. The comparison to a portable hoop suggests Uzi’s ability to take his luxurious lifestyle anywhere.
The Aura of Superiority
The chorus, "This is an aura, this is an aura", emphasizes Uzi’s untouchable presence. An "aura" represents an intangible, almost supernatural energy, suggesting that his success and persona transcend material aspects. He suggests that his very presence radiates power and influence, reinforcing the idea that he operates on a different level, adding to the cosmic themes seen in Eternal Atake.
Dismissal of Haters and Life of Excess
In the second verse, Uzi’s dismissive attitude comes through with "Don't like me, don't give a fuck (Yeah) / Your bitch out here still gettin' fucked (Too bad)". He shrugs off any negative feelings others might have toward him, reaffirming that he doesn't care. He adds another boast, implying that even though others may be jealous, he's still winning. He continues his self-assured stance in "It's the aura, his money shorter / Active, boy, is the question rhetorical?", where he again references his "aura" to assert his superiority, particularly when it comes to wealth. The rhetorical question implies that Uzi is constantly active in maintaining his lavish lifestyle, unlike others with shorter finances.
The Fashion Flex and Fast Life
The outro, "Yeah, them bitches real real Rick, yeah", refers to Rick Owens, a designer known for his high-end fashion pieces. Uzi’s repeated mention of Rick Owens in this section emphasizes his connection to luxury fashion, underscoring his persona as someone who thrives in both the music and fashion worlds. It’s another way of reinforcing his lifestyle of wealth and exclusivity.
Lil Uzi Vert Meteor Man Lyrics
[Verse 1]
Tell 'em don't call my phone (Phone), call my phone, yeah (Hello?)
I don't even need these hoes (Woah), leave me 'lone (Woah)
Since I was in Comme, yeah, yeah, I wear Comme, yeah, huh
Comme des Garçons, hmm, yeah, your bitch in my home, yeah, huh
She give me dome, huh, she give me head like a comb (Huh, yeah)
She give me dome, huh, she give me head like a comb (Huh, ayy)
She give me dome, huh, she give me head like a comb (Hah, what?)
She give me dome, huh, she give me head like a comb (Let's go)
Yeah, yeah, swag, yeah, swag, yeah, swag, yeah (Swag, swag)
Yeah, yeah, yeah
Yeah, yeah, yeah (Let's go, let's go, let's go)
Coupe and this bitch out of roof (Roof)
Bitch tryna fuck off the boot (Boot)
She out of Baltimore cute (Cute)
She got that Baltimore tooth (Yeah)
Diamonds, they hit like Ray Lewis (Yeah)
All of my Baltimore screws (Yeah)
Water on me and my shoes (Yeah)
Just like a portable hoop (Yeah)
I flew your ho out, yeah, she was a portable (Yeah)
I flew your ho out 'cause she was affordable (Yeah)
Pussy so wet like Adult Swim, she gave me more of it
I told her oral
[Chorus]
This is an aura, this is an aura
This is an aura, this is an aura
This is an aura, this is an aura
This is an aura, this is an aura
This is an aura, this is an aura
This is an aura, this is an aura
[Verse 2]
Don't like me, don't give a fuck (Yeah)
Your bitch out here still gettin' fucked (Too bad)
It's the aura, his money shorter
Active, boy, is the question rhetorical?
Pull up in Hellcat, Ace Ventura (Yeah, yeah)
If it's beef, turn a nigga to a porter
Saw LB, it's nothin' but the water
She what I need, she love my daughter
And she twenty-three, so she under a quarter
I make hits, them songs for hits
I don't give a fuck 'bout a hit, suck my dick
I got hoes in the back of the whip
I got hoes in the front of the whip
I got hoes on some Blood shit
I got hoes that hold my grip
I got hoes, they don' talk 'bout shit
I got hoes that be on counterfeit
I got hoes on scammin' shit
Some of my hoes pop Xans and shit (Yeah)
Shit, that pussy got drip on lip (On lip)
After I fuck, then a nigga gotta dip (Gotta dip)
Tryna get me touched, then a nigga gettin' dipped (Get dipped)
Give 'em less money 'cause the bag gon' flip (Gon' flip)
I got hoes on scammin' shit (Shit)
Some of my hoes pop Xans and shit (Shit)
Shit, that pussy got drip on lip (Let's go)
After I fuck, then a nigga gotta dip
Tryna get me touched, then a nigga gettin' dipped
Give 'em less money 'cause the bag gon' flip (Gon' flip)
I'll get a girl real Rick (Yeah)
Rick Owen jeans and shit, yeah
Yeah, them bitches real real Rick, yeah (Woah)
(Yeah, them bitches real real Rick, yeah)
[Chorus]
This is an aura, this is an aura
This is an aura, this is an aura
This is an aura, this is an aura
This is an aura, this is an aura
This is an aura, this is an aura
This is an aura, this is an aura, yeah
Yeah, them bitches real real Rick, yeah (Let's go)
Yeah, them bitches real real Rick, yeah (Yeah)
Yeah, them bitches real real Rick, yeah (Yeah)
Yeah, them bitches real real Rick, yeah (Yeah)
Yeah, them bitches real real Rick, yeah (Yeah)
Yeah, them bitches real real Rick, yeah (Yeah)
Yeah, them bitches real real Rick, yeah (Yeah)
Yeah, them bitches real real Rick, yeah (Yeah)
Yeah, them bitches real real Rick, yeah (Woah)
[Outro]
Yeah, them bitches real real Rick, yeah (Yeah)
Yeah, them bitches real real Rick, yeah (Yeah)
Yeah, them bitches real real Rick, yeah (Yeah)
Yeah, them bitches real real Rick, yeah (Yeah)
Yeah, them bitches real real Rick, yeah (Yeah)
Yeah, them bitches real real Rick, yeah (Yeah)
Yeah, them bitches real real Rick, yeah (Yeah)
Yeah, them bitches real real Rick, yeah (Yeah)
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