Introduction to the Track
"Can You Please" by GELO, featuring GloRilla, is an undeniable banger that embodies the lively club vibe of modern rap. Following the success of his viral track "Tweaker," GELO returns with a heavier, bass-laden anthem that showcases his natural progression as an artist. The collaboration with GloRilla feels seamless, with both rappers complementing each other effortlessly, creating a track that’s energetic, fun, and undeniably catchy. The vibe of the song feels laid-back yet powerful, making it perfect for both club playlists and casual listening.
The Hook and GELO's Contribution
From the moment the intro kicks in, GELO sets the tone for a wild night with his smooth delivery and bold lyrics. The chorus, driven by heavy bass and sharp vocal layers, immediately hooks the listener. GELO's lyrics are packed with playful, unapologetic confidence, demanding attention while keeping the energy high. The repeated plea, "Can you please shake that ass for me?" is simple yet effective, adding to the song’s irresistible party atmosphere.
GloRilla's Impact
GloRilla's feature elevates the track even further. Known for her distinctive voice and raw, confident delivery, she fits perfectly into the rhythm of the song. Her verse brings a fresh, unfiltered energy that balances GELO’s more laid-back tone. The chemistry between the two artists is palpable, and GloRilla's fiery, unapologetic style adds a unique edge to the track. Her self-assured lyrics, combined with her effortless swagger, amplify the track's boldness and give it an extra layer of flavor.
Lyrical Themes and Tone
Lyrically, the song sticks to themes of confidence, pleasure, and living life without regrets. While the song doesn’t aim for deep introspection, its straightforward approach is part of what makes it so infectious. Lines like "Hit the streets in a Demon, dodgin' shit, like, fuck a Jeep" and "Smellin' loud, my aroma, I'll still creep up on ya" reinforce the persona of the artists as larger-than-life figures. These catchy phrases and brash declarations give the song a fun, carefree vibe that invites listeners to embrace the wild side of life.
Can You Please Review: A Standout Release
"Can You Please" is a track that effortlessly blends catchy hooks, heavy beats, and confident lyricism. GELO’s progression as an artist is evident, and GloRilla’s feature adds the perfect amount of spice to the song. It’s a track that’s likely to dominate the airwaves and continue the hype around GELO as an artist to watch. The chemistry between the two artists, combined with the track’s energetic production, makes it a standout release in the current rap scene.
Listen to GELO Can You Please Featuring GloRilla
GELO Can You Please Lyrics Meaning Explained
The meaning of "Can You Please" by GELO is a celebration of confidence, dominance, and indulgence, expressed through both lyrical bravado and explicit sexual themes. Throughout the track, GELO and GloRilla make requests that emphasize their desires, highlighting a lifestyle filled with luxury, high-status symbolism, and unfiltered self-assurance. The lyrics contain playful wordplay, references to designer brands, and powerful imagery, showcasing the artists' control over their surroundings and interactions. The song, with its provocative nature, explores the dynamics of attraction, wealth, and unapologetic confidence, all while maintaining an edgy, party-driven energy.
Intro
The song "Can You Please" by GELO opens with a catchy intro where GELO requests, "Can you, please, baby?" in an almost pleading tone, immediately followed by the braggadocious lines of the chorus. In the chorus, he asks the girl to "shake that ass for me," reflecting a direct and explicit sexual request. His energy is heightened by the reference to being "geeked up" (likely a reference to being on drugs or energized) and the time being past 3 a.m., adding a sense of late-night, reckless fun. He also mentions wanting the girl to "get up off my dick," symbolizing that he’s not interested in wasting time with someone who isn't serious, instead offering a "seat for the fees" — implying the transaction is what matters. He further reflects on his indulgence by stating, "I just took one hit of doja, cocked it back, now let it breathe," referring to smoking cannabis. The reference to "dodging shit, like, fuck a Jeep" suggests he's maneuvering through obstacles effortlessly, positioning himself as superior.
Verse 1 - Establishing Power and Dominance
In the first verse, GELO continues to establish his persona with confidence, stating, “Smellin’ loud, my aroma, I’ll still creep up on ya.” "Loud" here refers to the strong scent of marijuana, while "creep up on ya" alludes to his stealthy or confident approach. He solidifies his image as someone who is both rich and dangerous with "Real Gs in designer, bitch, that swag my persona." The line, “I ain't no Simpson, but fuck a yellow bitch in my Homer boots,” is a play on words referencing the popular cartoon "The Simpsons." While the Simpson family is known for their yellow skin, GELO is using "yellow" to describe an Asian woman (a stereotype often used to describe Asian people as "yellow"). The "Homer boots" reference blends the cartoon father Homer Simpson with a literal boot, adding humor and double meaning. He also mentions “Blue’s hair triggers in the mag, like Maggie, done split ya dome up," where the "Blue" likely refers to the color of the gun's magazine, while “Maggie” is a reference to Homer’s infant daughter from "The Simpsons." The line plays on the dual meaning of splitting someone's "dome" (head) while connecting it to the character Maggie’s pacifier.
Chorus - Repeated Requests and Boasting
In the chorus, GELO repeats the request for the girl to shake her ass, further emphasizing the theme of sexual attraction and indulgence, while bragging about his high-status lifestyle. He introduces a reference to his car, saying, “Hit the streets in a Demon, dodgin’ shit, like, fuck a Jeep.” The "Demon" refers to a high-performance Dodge Challenger, which is a powerful and expensive car, and GELO's decision to "dodge" obstacles contrasts it with the less impressive Jeep. He then continues with his power dynamic, saying, "I just knocked this bitch up off of her rocker, off her fuckin' feet," implying that he’s so dominant that his presence or actions can knock someone out of their usual composure. When GELO says, “When you link up with a king, you’ll never face defeat,” he underscores his confidence in his superiority and the notion that associating with him guarantees success.
Verse 2 - GloRilla’s Braggadocio
The second verse brings in GloRilla, who adds her own braggadocious energy to the track. She kicks off with a direct sexual request: “Baby, can you please lick the clit for me?” This line sets the tone for GloRilla’s explicit lyricism, focusing on her own desires. She continues to assert her dominance, stating that she isn't the type to beg, but also admitting to the absence of intimacy in the past week. GloRilla’s confidence shines through with lines like, "Slap the shit out of nigga if I feel one of his teeth," showcasing her willingness to assert control over situations with violence if necessary, though she balances this with a sense of restraint, noting that her mama taught her to "flip over and turn the other cheek." Her line, "Butterfly tat on my ass, make it fly up on the dick," is an explicit reference to her body and her sexual prowess, using the visual of a butterfly tattoo to playfully indicate movement.
Wordplay and Confidence
Further wordplay appears when GloRilla says, "Hawk tuah, ugh, no teeth, straight spit." This line refers to a phrase GloRilla used in a previous song, "STEP," where “hawk tuah” was likely a reference to oral skills, possibly describing a form of deep-throating, as indicated by "no teeth, straight spit." The rest of her verse continues with braggadocio, claiming, "I'm that nigga, I'm that bitch, I'm that ho, I'm that girl," solidifying her confidence and control in the music scene. The reference to "Bubble coat Moncler" emphasizes her designer fashion, a marker of wealth and status. She ends her verse with the lines, "Got my foot on bitches necks, got 'em gaspin' for air," which highlights her dominance and control over her competition, making them metaphorically “gasp for air” as they try to keep up with her.
Chorus - Repeated Themes of Power
The chorus repeats once more, and the song concludes with GELO repeating his requests and brags, maintaining the energy and vibe of indulgence, power, and sexual attraction. The outro seems to fade out with playful sounds, keeping the party atmosphere intact until the end.
GELO Can You Please Lyrics
[Intro: GELO]
Ayy, tap in, haha
Ah, can you, please, baby? (Can you, please?)
Can you? Can you? Can you, please, girl? (itown, where you at?)
[Chorus: GELO]
I said, "Baby, can you please shake that ass for me?" (Shake that ass, bitch)
I've been geeked up in this bitch since eleven, it's past three
Can you get up off my dick? That's a seat for the fees
I just took one hit of doja, cocked it back, now let it breathe
Feel the breeze when you rollin' with a G
Hit the streets in a Demon, dodgin' shit, like, fuck a Jeep (Fuck a Jeep)
I just knocked this bitch up off of her rocker, off her fuckin' feet (Yeah, off her feet)
When you link up with a king, you'll never face defeat (Never face defeat)
[Verse 1: GELO]
Smellin' loud, my aroma, I'll still creep up on ya (Yeah)
Real Gs in designer, bitch, that swag my persona (Buh-buh-buh-buh)
I ain't no Simpson, but fuck a yellow bitch in my Homer boots
Blue's hair triggers in the mag, like Maggie, done split ya dome up
Breathe, slow it down
She like, "Please" (Shh), "Another round" (Yeah)
I say "I'ma get you right, bitch, you keep holding it down" (Hold me down)
I be in the shit all night, I gotta burn up some pounds (Burn some pounds)
Come on, keep up runnin' my paper, put some diamonds on your necklace
I'ma stack the chains like Tetris
She wet, she let me feel it
Told her "One day, I be back, bitch" (I'll be back)
But I got one request, bitch (Just one request)
[Chorus: GELO & GloRilla]
Ayy, baby, can you please shake that ass for me?
I've been geeked up in this bitch since eleven, it's past three (I'm geekin')
Can you get up off my dick? That's a seat for the fees (For the fees)
I just took one hit of doja, cocked it back, now let it breathe (Ha, ha, ha)
Feel the breeze when you rollin' with a G (GloRilla, woo)
Hit the streets in a Demon, dodgin' shit, like, fuck a Jeep (Fuck a Jeep; huh, huh, huh)
I just knocked this bitch up off of her rocker, off her fuckin' feet (Off her rocker; on the gang, gang)
When you link up with a king (On the gang, gang), you'll never face defeat (Never face defeat)
[Verse 2: GloRilla]
Baby, can you please lick the clit for me?
I ain't the type to beg, but I ain't had no head in 'bout a week
Slap the shit out of nigga if I feel one of his teeth
But mama taught me right, I flip over and turn the other cheek
Butterfly tat on my ass, make it fly up on the dick
I ain't stop showin' my ass since a bitch got thick
Say I'm the best he ever had, ah, for real? No shit
Hawk tuah, ugh, no teeth, straight spit
I'm that nigga, I'm that bitch, I'm that ho, I'm that girl
Fuck with who? Bitch, where? Bubble coat Moncler
Got my foot on bitches necks, got 'em gaspin' for air
Haha, bitch, breathe
[Chorus: GELO]
So can you please shake that ass for me? (Yeah)
I've been geeked up in this bitch since eleven, it's past three (I'm geekin', I'm geekin')
Can you get up off my dick? That's a seat for the fees
I just took one hit of doja, cocked it back, now let it breathe
Feel the breeze when you rollin' with a G
Hit the streets in a Demon, dodgin' shit, like, fuck a Jeep (Fuck a Jeep)
I just knocked this bitch up off of her rocker, off her fuckin' feet (Fuck you mean?)
When you link up with a king, you'll never face defeat (Won't face defeat)
[Outro: GELO]
(itown, where you at?)
Never face it
Ba-dow-ba-dum-ba
Aight