"Psilocybae (Millennial Love)": A Psychedelic Funk Journey Through Modern Romance
Funk, Psychedelics, and Millennial Anxieties
"Psilocybae (Millennial Love)" is a re-release of Gambino's "12.38" from 3.15.20, now infused with a kaleidoscopic blend of funk, psychedelia, and millennial anxieties. The track opens with Gambino's playful scatting, showcasing his vocal dexterity and setting a whimsical tone. The production is sharp and vibrant, with a mellow bassline and synth melodies creating a laid-back groove. However, Gambino's rapid-fire delivery and the song's quirky adlibs inject a frenetic energy, making it an eclectic and dynamic listening experience.
A Whirlwind Romance
The lyrics recount a whirlwind romance fueled by psychedelics and impulsive decisions. Gambino's opening lines, "Someone made a mess in my account / Someone bought a Patek in a panic," set a scene of reckless abandon and materialistic indulgence. The mention of "psilocybin" and the ensuing trip create a surreal atmosphere, blurring the lines between reality and fantasy.
Throughout the song, Gambino references various cultural figures and literary works, from Tracee Ellis Ross and N.K. Jemisin to bell hooks' "All About Love." These allusions add depth and complexity to the narrative, hinting at a deeper exploration of love, relationships, and societal expectations.
Conflicting Desires and Shifting Perspectives
The song's verses delve into the complexities of modern relationships, exploring themes of commitment, infidelity, and societal pressures. Gambino's lyrics oscillate between playful boasts about his sexual prowess and moments of vulnerability, as he questions the authenticity of his connection with his partner. The line "You don't love her, then you lyin'" reveals a yearning for genuine intimacy amidst the chaos of their fleeting encounters.
The inclusion of 21 Savage's verse adds another dimension to the song, introducing themes of wealth, status, and the challenges of navigating success as a Black man. His lyrics provide a stark contrast to Gambino's introspective musings, highlighting the diverse experiences and perspectives within the millennial generation.
A Momentary Escape
Ink's outro, with its ethereal vocals and references to "morning dew" and "Sunday," offers a sense of closure and tranquility. The repetition of "I might let you go" suggests a bittersweet acceptance of the relationship's ephemeral nature.
"Psilocybae (Millennial Love)" is a sonic trip that captures the complexities and contradictions of modern romance. Its funky beats, psychedelic undertones, and thought-provoking lyrics create a captivating and multi-layered listening experience. The song's eclectic nature reflects the multifaceted nature of millennial love, with its blend of impulsiveness, vulnerability, and the constant search for deeper meaning in a fast-paced world.
Listen to Psilocybae (Millennial Love) by Childish Gambino
Childish Gambino Psilocybae (Millennial Love) Lyrics Meaning Explained
The meaning of "Psilocybae (Millennial Love)" by Childish Gambino is a multifaceted exploration of modern romance, self-indulgence, and societal expectations, all set against the backdrop of a psychedelic experience. The song delves into the complexities of millennial relationships, characterized by fleeting encounters, materialistic desires, and a constant search for deeper connection in a world driven by instant gratification.
Reckless Abandon and Materialistic Desires
Gambino's opening lines, "Someone made a mess in my account / Someone bought a Patek in a panic," immediately establish a tone of impulsive spending and reckless abandon. The mention of "psilocybin" introduces a psychedelic element, blurring the lines between reality and fantasy, and setting the stage for a surreal and introspective journey.
Oscillating Emotions and Yearning for Intimacy
Throughout the song, Gambino's lyrics oscillate between playful boasts about his sexual conquests and moments of introspection, where he questions the authenticity of his relationships. Lines like "I'm gon' beat it up, ooh, lady / I'm gon' make your dreams come, baby" exude confidence and bravado, while "You don't love her, then you lyin'" reveals a yearning for genuine intimacy amidst the superficiality.
Cultural Allusions and Societal Commentary
The song's references to cultural figures and literary works, such as Tracee Ellis Ross, N.K. Jemisin, and bell hooks' "All About Love," add depth and complexity to the narrative. These allusions suggest that Gambino's exploration of love and relationships extends beyond personal experiences, delving into broader societal and cultural conversations.
Contrasting Perspectives and Millennial Realities
21 Savage's verse introduces a contrasting perspective, focusing on themes of wealth, status, and the challenges faced by Black men in a society that often marginalizes and stereotypes them. His lyrics offer a glimpse into the different realities and aspirations that coexist within the millennial generation.
Fleeting Encounters and Acceptance
Kadhja Bonet's bridge, with its repeated line "This ain't special, baby, this is fun," serves as a reminder of the fleeting nature of the encounters described in the song. It suggests a detachment from emotional investment, emphasizing the transient nature of modern relationships.
Closure and Reflection
Ink's outro, with its ethereal vocals and references to "morning dew" and "Sunday," offers a sense of closure and reflection. The repetition of "I might let you go" suggests a bittersweet acceptance of the relationship's ephemeral nature.
Childish Gambino Psilocybae (Millennial Love) Lyrics
[Intro: Childish Gambino]
Uh (Uh)
[Verse 1: Childish Gambino]
Someone made a mess in my account (Someone sound like me, yes)
Someone bought a Patek in a panic (Yes, yes)
Bode, Bentley addict, I go manic (Oh no)
Hit the oochie-coochie 'til it's slanted, ooh
I'm gon' beat it up, ooh, lady
I'm gon' make your dreams come, baby
Ayy, you the one who talkin' all that trash (You the one who talkin' all that trash)
Forty-five, I'll twenty-eight that ass (Ooh)
You can set the snow on fire (Yeah, ooh)
You smell like a peach papaya
She said, "Eat this psilocybin, I'ma be right back"
I'm like, "Aight" ("Aight")
"Ayy, I don't know what psilocybin is" (No)
"This better not be no molly"
She just laughed and closed the door
Dark chocolate, sea salt
I took a bite (Uh, uh)
She said, "We gon' have a special night" (Ooh, ayy)
I said, "Who you telling, girl? I know that"
Tracee Ellis with it when you throw back (Ooh, yeah)
Girl, I see your (Shadow move)
Ooh, you're so divine (Yes, you are)
And them panties came off (Ooh, yes they did)
I'ma give you some privacy (Uh)
Pictures with your stepsisters (Hmm)
N. K. Jemisin with you, uh
Got the All About Love, on some bell hooks
Then I turned to a dirty look, uh (Meow)
Ayy, why your cat lookin' at me sideways?
"Sing to her"
I said, "Nah, I'll put on the radio though"
[Interlude]
I might let you go
[Verse 2: Childish Gambino]
Lay back on my back (Uh), vibrate
My ex on some BS
She walked out the closet
Girl, never write a check I can't deposit
She said, "Boy, stop, let's go walkin'" (Let's go walkin')
"You wanna be outside for this" (Hold on)
We just talkin'
Dogpark looking like a Trader Joe's (Roof, roof)
Papillon, mmh, thought you hated those
Other girls, uh, let they shady show
Every time we walk around
They say, "How she gonna hold him down?" No (Mmm)
They don't know what they missing
Most these niggas wanna run around with these SZA's (Yeah)
I prefer to just stroll the park with this Chaka
Baby girl was just diggin' all in my pockets
I was going hard (By the magic hour)
We were holdin' hands, tried to make me understand (Ooh, uh, yeah)
Make girls fall in love, that's my (Magic power), yes
Everybody's jealous I won't ease it with these colors (Uh, uh)
(Ooh, I wanna see it in the moonlight)
Yellow, red, orange robe, askin' for donation (Ooh)
I'm not a tourist, nigga, this is not vacation (I am not a tourist, nigga, this is not vacation)
Vibrate
Goddamn, man, this girl goin' crazy on my Motorola
(She said) "Let me answer it" (Let me answer)
Then she'll know it's over (Ooh)
Girl, you cancerous, you gon' ruin my life (Ah-ah)
Let me get this paperweight, then come be my wife
She just laughed and touched my face (What you mean?)
You don't understand what this is (Oh wait, wait, wait, wait)
I ain't lookin' for another lifetime
Let's just stay here and enjoy the great design
Had the iceberg tucked in my waist (Bling)
Fuck an omelet (Ooh), you can eat off my face (No)
I just thought that we were vibin' (Ayy)
You don't love her, then you lyin' (Uh)
Come and go and you get tulips
Put a finger to my two lips (It's okay)
Ooh, you got it bad, just remember what we had
You can set the snow on fire
The reason that you suffer is desire (Huh)
The reason that I'm moving with this ooh-wee
I was lovin' life, I got too deep (I was too deep)
Woke up in my room, she was long gone
Toni singing me another sad song (Ooh)
Eternity
Oh, until we meet again
[Bridge: Kadhja Bonet]
This ain't special, tell me what you want
This ain't special, baby, this is fun
This ain't special, tell me what you want
This ain't special, baby, this is fun
[Verse 3: 21 Savage]
Drop it off (21), let me see if your booty soft
Gold mouth (Hold up, hold up), yes, I'm from the Dirty South
Lights out (Straight up), summertime, I brought the ice out (21)
Pipes out (On God), all my shooters came from Moscow
Got a girl in Harvard, I talk proper when I call her (21)
Baby, I'm a baller, ain't no way that I can raw ya (Straight up)
She don't want no new friends, she just tryna buy her a new Benz (On God)
I've been counting M's, me and Ben Franklin damn near kin (On God)
Put my mind to it and I did it, them facts (21)
Talkin' 'bout your brother to get some pussy, that's wack (Straight up)
The police keep harassin' 'cause I'm rich and I'm black (Straight up)
They mad 'cause I made myself a boss without crack (On God)
I ain't trippin', boy, I'm Lamborghini whippin' (21, 21)
Straight up out the trenches, money made me ign'ant (It did)
I'm on a private jet eatin' Popeyes chicken (21)
I be flexin' like I'm eatin' Popeye's spinach (21, 21, 21)
[Outro: Ink]
Morning dew
Percolating, still have a little time for Sunday, ooh (So baby, let's take it back to the crib)
(Back to the, back, back to the)
Baby, I might let you go
Babe, baby, no matter what
And like I switch the other side of me
Baby got a whole lotta ride on me
Babe, baby, let's take it back to crib
Back, back to the crib
Back, back to the, babe
I might let you go
Baby, baby, no matter what
And I can, I can, I can, I can
To the crib
Back to the crib, back to the
And no one seen them
Baby, I, baby, baby, I